116 KB47 KB200420262025Rodri´guez Nieto, Nataliaštevilka:2letnik:22str. 131-143DOI:10.4312/elope.22.2.131-143ISSN:1581-8918COBISSID_HOST:270947843URN:URN:NBN:SI:doc-ONUKJJWBenZaložba Univerze v LjubljaniELOPE (Ljubljana)Canadian literatureDuncan, Sara Jeannettekanadska književnostmotherhood studiesnew woman studiesštudije materinstvaštudije nove ženskeWriting the Unwritten| the childless new woman identity in Sara Jeannette Duncan’s A daughter of today|Sara Jeannette Duncan creates a groundbreaking New Woman heroine in the protagonist of her novel A Daughter of Today (1894). The text portrays the struggles of Elfrida Bell in pursuing her life endeavour of creating her individual version of female identity by becoming a woman artist who leaves motherhood aside. By distancing female identity from all traditional conceptualizations in the character of Elfrida, Duncan writes the unwritten since a childless and artistic female subjectivity is portrayed as valid and valuable. A study from the intersectional critical space between New Woman and motherhood studies sheds new light on the protagonist of the novel, as well as on controversial elements of the text, such as its endingV romanu A Daughter of Today (1894) Sara Jeannette Duncan ustvari izviren lik t.i. nove ženske. Glavna junakinja Elfrida Bell si prizadeva ustvariti lastno različico ženske identitete: postane umetnica, ki se odreče materinstvu. Z oddaljevanjem ženske identitete od tradicionalnih konceptualizacij, Sara Jeannette Duncan piše nenapisano, saj je v njenem romanu ženska subjektivnost umetnice brez otrok prikazana kot legitimna in dragocena. Intersekcionalne kritične študije o novi ženski in materinstvu odpirajo nove vidike za obravnavo glavne protagonistko romana, kot tudi kontroverznih elementov besedila, na primer njegovega koncaTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Filozofska fakulteta