<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-ONUKJJWB</identifier><date>2025</date><creator>Rodri´guez Nieto, Natalia</creator><relation>documents/doc/O/URN_NBN_SI_doc-ONUKJJWB_001.pdf</relation><relation>documents/doc/O/URN_NBN_SI_doc-ONUKJJWB_001.txt</relation><format format_type="issue">2</format><format format_type="volume">22</format><format format_type="type">article</format><format format_type="extent">str. 131-143</format><identifier identifier_type="DOI">10.4312/elope.22.2.131-143</identifier><identifier identifier_type="ISSN">1581-8918</identifier><identifier identifier_type="COBISSID_HOST">270947843</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-ONUKJJWB</identifier><language>eng</language><publisher publisher_location="Ljubljana">Založba Univerze v Ljubljani</publisher><source>ELOPE (Ljubljana)</source><rights>BY-SA</rights><subject language_type_id="eng">Canadian literature</subject><subject language_type_id="slv">Duncan, Sara Jeannette</subject><subject language_type_id="slv">kanadska književnost</subject><subject language_type_id="eng">motherhood studies</subject><subject language_type_id="eng">new woman studies</subject><subject language_type_id="slv">študije materinstva</subject><subject language_type_id="slv">študije nove ženske</subject><title>the childless new woman identity in Sara Jeannette Duncan’s A daughter of today</title><title>Writing the Unwritten</title></Record>