<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-OF44XK2P</identifier><date>2019</date><creator>Petek, Polona</creator><creator>Roter, Petra</creator><relation>documents/doc/O/URN_NBN_SI_doc-OF44XK2P_001.pdf</relation><relation>documents/doc/O/URN_NBN_SI_doc-OF44XK2P_001.txt</relation><format format_type="issue">1</format><format format_type="volume">13</format><format format_type="type">article</format><format format_type="extent">str. 191-204</format><identifier identifier_type="ISSN">1854-9632</identifier><identifier identifier_type="COBISSID_HOST">70300002</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-OF44XK2P</identifier><language>slv</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Ars et humanitas</source><rights>BY-SA</rights><subject language_type_id="slv">film</subject><subject language_type_id="slv">narodotvornost</subject><subject language_type_id="slv">spomin</subject><subject language_type_id="slv">spominjanje</subject><subject language_type_id="slv">umetniška svoboda</subject><title>film med umetniško svobodo in selektivnim spominom</title><title>La fille mal gardée</title></Record>