<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-OAV0CHQJ</identifier><date>2015</date><relation>documents/doc/O/URN_NBN_SI_doc-OAV0CHQJ_001.pdf</relation><relation>documents/doc/O/URN_NBN_SI_doc-OAV0CHQJ_001.txt</relation><format format_type="issue">261</format><format format_type="volume">43</format><format format_type="type">article</format><format format_type="extent">str. 126-129</format><identifier identifier_type="ISSN">0351-4285</identifier><identifier identifier_type="COBISSID">285698816</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-OAV0CHQJ</identifier><language>slv</language><publisher>Študentska založba</publisher><source>Časopis za kritiko znanosti</source><rights>BY-NC-ND</rights><subject language_type_id="slv">kuratorske prakse</subject><subject language_type_id="slv">mednarodni festivali</subject><subject language_type_id="slv">Mesto žensk</subject><subject language_type_id="slv">programske usmeritve</subject><subject language_type_id="slv">sodobna umetnost</subject><title>"Programske vizije prvega festivala se celo iz današnje perspektive zdijo sveže, urbane in relevantne"</title><title>intervju z Uršulo Cetinski</title></Record>