<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-O3QDFLPK/5a3d98ea-a850-48a0-a0f3-8a8746bb3548/PDF"><dcterms:extent>174 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-O3QDFLPK/0859b2e8-a58a-4559-abae-fdc971013c93/TEXT"><dcterms:extent>60 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1994-2024"><edm:begin xml:lang="en">1994</edm:begin><edm:end xml:lang="en">2024</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-O3QDFLPK"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-TQH6JN7K" /><dcterms:issued>2008</dcterms:issued><dc:creator>Awad Cherit, Isabel</dc:creator><dc:format xml:lang="sl">letnik:15</dc:format><dc:format xml:lang="sl">številka:4</dc:format><dc:format xml:lang="sl">str. 55-72</dc:format><dc:identifier>ISSN:1318-3222</dc:identifier><dc:identifier>COBISSID:28047453</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-O3QDFLPK</dc:identifier><dc:language>en</dc:language><dc:publisher xml:lang="sl">Evropski inštitut za komuniciranje in kulturo</dc:publisher><dcterms:isPartOf xml:lang="sl">Javnost (Ljubljana)</dcterms:isPartOf><dc:subject xml:lang="en">communication</dc:subject><dc:subject xml:lang="en">democracy</dc:subject><dc:subject xml:lang="sl">demokracija</dc:subject><dc:subject xml:lang="sl">informiranje</dc:subject><dc:subject xml:lang="sl">komuniciranje</dc:subject><dc:subject xml:lang="en">mass media</dc:subject><dc:subject xml:lang="sl">medijska politika</dc:subject><dc:subject xml:lang="sl">množični mediji</dc:subject><dc:subject xml:lang="sl">objektivnost</dc:subject><dc:subject xml:lang="sl">obveščanje</dc:subject><dc:subject xml:lang="sl">večkulturnost</dc:subject><dc:subject rdf:resource="http://www.wikidata.org/entity/Q7174" /><dcterms:temporal rdf:resource="1994-2024" /><dc:title xml:lang="sl">Cultural diversity in the news media| a democratic or a commercial need?|</dc:title><dc:description xml:lang="sl">This paper distinguishes between laissez-faire and interventionist models used to justify and implement cultural diversity initiatives in the news media.The laissez-faire model is characteristic of U.S journalism. However, due to the convergence of media systems and the widespread adoption of diversity management, the laissez-fair model may also become the prevalent model throughout other Western democracies, in Europe and elsewhere. The paper argues that the problem with the laissez-fair approach to cultural diversity in the media is that it relies on commercial instead of normative justifications. As a result, cultural diversity is mostly reduced to ornament. Equated with accuracy and treated as a business asset, diversity serves, rather than challenges, the existing media system. By failing to open sufficient spaces for alternative social voices, business-driven media policies do not respond to the democratic needs of a multicultural society</dc:description><dc:description xml:lang="sl">Članek razlikuje med modelom "laissez-faire" in intervencionističnim modelom utemeljevanja in izvajanja kulturne raznovrstnosti v novičarskih medijih. Model "laissez-faire" je značilen za novinarstvo v ZDA, vendar lahko zaradi konvergence medijskih sistemov in razširjenega sprejemanja upravljanja z raznovrstnostjo postane dominanten tudi v drugih zahodnih demokracijah, vključno z Evropo. Članek dokazuje, da je ključni problem pristopa "laissez-faire" h kulturni raznovrstnosti v medijih v tem, da izhaja iz komercialnih, ne pa iz normativnih utemeljitev. Zaradi tega je kulturna raznovrstnost pogosto le okras. Raznovrstnost, ki se izenačuje s točnostjo in postane sredstvo za doseganje dobička, je v službi danega medijskega sistema, ne pa njegove kritike. Ker dobičkonosno usmerjene medijske politike ne odpirajo novih prostorov za alternativne družbene glasove, zanemarjajo demokratične potrebe multikulturne družbe</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-O3QDFLPK"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-O3QDFLPK" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-O3QDFLPK/5a3d98ea-a850-48a0-a0f3-8a8746bb3548/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Evropski inštitut za komuniciranje in kulturo - EURICOM</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-O3QDFLPK/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-O3QDFLPK" /></ore:Aggregation></rdf:RDF>