<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-O0WFOLLN</identifier><date>2010</date><creator>Šprah, Andrej</creator><relation>documents/doc/O/URN_NBN_SI_doc-O0WFOLLN_001.htm</relation><relation>documents/doc/O/URN_NBN_SI_doc-O0WFOLLN_001.pdf</relation><relation>documents/doc/O/URN_NBN_SI_doc-O0WFOLLN_001.txt</relation><format format_type="issue">242</format><format format_type="volume">38</format><format format_type="type">article</format><format format_type="extent">str. 51-62</format><identifier identifier_type="ISSN">0351-4285</identifier><identifier identifier_type="COBISSID">255431424</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-O0WFOLLN</identifier><language>slv</language><publisher>Študentska založba</publisher><source>Časopis za kritiko znanosti</source><rights>InC</rights><subject language_type_id="eng">film</subject><subject language_type_id="slv">filozofija</subject><subject language_type_id="eng">philosophy</subject><subject language_type_id="slv">teorija</subject><subject language_type_id="eng">theory</subject><title>Rekonfiguracija izpraznjenih podob</title></Record>