<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-NZTPN9HG</identifier><date>2018</date><creator>Ajduk, Marija</creator><relation>documents/doc/N/URN_NBN_SI_doc-NZTPN9HG_001.pdf</relation><relation>documents/doc/N/URN_NBN_SI_doc-NZTPN9HG_001.txt</relation><format format_type="issue">3</format><format format_type="type">article</format><format format_type="extent">str. 5-24</format><format format_type="volume">year 24</format><identifier identifier_type="ISSN">1408-032X</identifier><identifier identifier_type="COBISSID">304116992</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-NZTPN9HG</identifier><language>eng</language><publisher>Društvo antropologov Slovenije</publisher><source>Anthropological notebooks</source><rights>InC</rights><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">glasbena scena</subject><subject language_type_id="slv">koncept lokalnosti</subject><subject language_type_id="slv">lokalna identiteta</subject><subject language_type_id="slv">novi val</subject><subject language_type_id="slv">pank</subject><subject language_type_id="slv">Slovenija</subject><title>An analysis of the concept of locality on the example of Slovenia's new-wave music scene</title></Record>