<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-NXLWGY3U</identifier><date>2017</date><creator>Dedić, Nikola</creator><relation>documents/doc/N/URN_NBN_SI_doc-NXLWGY3U_001.pdf</relation><relation>documents/doc/N/URN_NBN_SI_doc-NXLWGY3U_001.txt</relation><format format_type="volume">19</format><format format_type="issue">2</format><format format_type="type">article</format><format format_type="extent">str. 49-64</format><identifier identifier_type="ISSN">1580-688X</identifier><identifier identifier_type="COBISSID_HOST">1601421</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-NXLWGY3U</identifier><language>eng</language><publisher>Institutum Studiorum Humanitatis - Fakulteta za podiplomski humanistični študij</publisher><source>Monitor ISH</source><rights>InC</rights><subject language_type_id="eng">art</subject><subject language_type_id="slv">družba</subject><subject language_type_id="slv">postsocializem</subject><subject language_type_id="eng">society</subject><subject language_type_id="slv">tranzicija</subject><subject language_type_id="slv">umetnost</subject><title>The neoliberal stamp on post-socialist art</title></Record>