{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-NOOCAU7J/e71c1744-81ec-4c68-8844-8c088538ea54/HTML","dcterms:extent":"39 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-NOOCAU7J/81f8e0bf-e18d-4597-8e23-ce4d83d45779/PDF","dcterms:extent":"143 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-NOOCAU7J/c8927ef7-cc0a-4207-abed-3f7726e38c01/TEXT","dcterms:extent":"38 KB"}],"edm:TimeSpan":{"@rdf:about":"1965-2025","edm:begin":{"@xml:lang":"en","#text":"1965"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-NOOCAU7J","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-ETPSIC7M"},{"@xml:lang":"sl","#text":"Teorija in praksa"}],"dcterms:issued":"2007","dc:creator":["Pivec, Nataša","Šadl, Zdenka"],"dc:format":[{"@xml:lang":"sl","#text":"številka:3/4"},{"@xml:lang":"sl","#text":"letnik:44"},{"@xml:lang":"sl","#text":"str. 447-460"}],"dc:identifier":["ISSN:0040-3598","COBISSID:26563677","URN:URN:NBN:SI:doc-NOOCAU7J"],"dc:language":"sl","dc:publisher":{"@xml:lang":"sl","#text":"Fakulteta za sociologijo, politične vede in novinarstvo v Ljubljani"},"dc:subject":[{"@xml:lang":"sl","#text":"Glasbeniki"},{"@xml:lang":"en","#text":"Hegemonism"},{"@xml:lang":"sl","#text":"Hegemonizem"},{"@xml:lang":"en","#text":"Masculinity"},{"@xml:lang":"sl","#text":"Moškost"},{"@xml:lang":"en","#text":"Musicians"},{"@xml:lang":"en","#text":"Popular music"},{"@xml:lang":"sl","#text":"Popularna glasba"},{"@xml:lang":"sl","#text":"rap"},{"@xml:lang":"sl","#text":"Rap (Glasba)"},{"@xml:lang":"en","#text":"Rap (Music)"},{"@xml:lang":"en","#text":"rapping"},{"@xml:lang":"sl","#text":"Seksizem"},{"@xml:lang":"sl","#text":"seksualnost"},{"@xml:lang":"en","#text":"Sexism"},{"@xml:lang":"en","#text":"United States of America"},{"@xml:lang":"sl","#text":"ZDA"},{"@xml:lang":"sl","#text":"Združene države Amerike"},{"@rdf:resource":"http://www.wikidata.org/entity/Q93200"}],"dcterms:temporal":{"@rdf:resource":"1965-2025"},"dc:title":{"@xml:lang":"sl","#text":"Reprezentacija moškosti v popularnem rapu na primeru 50 Cent|"},"dc:description":[{"@xml:lang":"sl","#text":"The presumption of this article originates in revitalization of hegemonic masculinity which defines femininity - the opposite pole negatively. Through analysis of audio-visual mediators between artist (i.e. 50 Cent) and audience it is established that representation of black masculinity is structured through traditional discourses of hegemonic masculinity, supplemented with elements of new masculinities: new man - narcissist and the vengeance man. Popular music and specially, popular rap is inscribed with sexism that is based upon pornographic aesthetics and expresses itself as celebration of masculinism (i.e. collection of attributes of man and/or system/ideology) and through presentation of women as sex objects"},{"@xml:lang":"sl","#text":"Avtorici v članku izhajata iz predpostavke o ponovnem vzpostavljanju hegemonične, t.j. vodilne moškosti, ki a priori negativno definira nasprotni pol - ženskost. Z analizo avdio-vizualnih posrednikov med ustvarjalcem in publiko na primeru ustvarjalca 50 Cent ugotavljata, da je reprezentacija črne moškosti strukturirana s tradicionalnimi diskurzi hegemonične moškosti, ki jih dopolnjujejo elementi dveh novih verzij moškosti: novega moškega - narcisista in maščevalnega moškega. Ugotavljata tudi, da je tako v popularno glasbo oz. popularni rap vpet seksizem, ki se, oprt na estetiko pornografije, izraža skozi proslavljanje maskulinizma (kot skupka moških lastnosti, a tudi kot sistema in ideologije) in reduciranje žensk na spolni objekt"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-NOOCAU7J","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-NOOCAU7J"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-NOOCAU7J/81f8e0bf-e18d-4597-8e23-ce4d83d45779/PDF"},"edm:rights":{"@rdf:resource":"http://rightsstatements.org/vocab/InC/1.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Univerza v Ljubljani, Fakulteta za družbene vede"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-NOOCAU7J/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-NOOCAU7J"}}}}