<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-NOC3YBXT</identifier><date>1997</date><creator>Christian, Henry A.</creator><creator>Kurent, Tine</creator><relation>documents/doc/N/URN_NBN_SI_doc-NOC3YBXT_001.pdf</relation><relation>documents/doc/N/URN_NBN_SI_doc-NOC3YBXT_001.txt</relation><format format_type="issue">8</format><format format_type="type">article</format><format format_type="extent">str. 89-105</format><identifier identifier_type="ISSN">0353-6777</identifier><identifier identifier_type="COBISSID">5943853</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-NOC3YBXT</identifier><language>eng</language><publisher>Institute for Slovene Emigration Research</publisher><publisher>Inštitut za slovensko izseljenstvo</publisher><source>Dve domovini</source><rights>BY-NC-ND</rights><subject language_type_id="eng">art of painting</subject><subject language_type_id="slv">druga svetovna vojna</subject><subject language_type_id="slv">gematrija</subject><subject language_type_id="slv">kolaž</subject><subject language_type_id="slv">simboli</subject><subject language_type_id="slv">slikarstvo</subject><subject language_type_id="eng">symbol</subject><subject language_type_id="slv">Vanka, Maksimilian, 1889-1963</subject><subject language_type_id="eng">World War II</subject><title>Maxo Vanka's collage "World War II"</title><title>Reading a painting</title></Record>