<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-NJVHFANA</identifier><date>2010</date><creator>Toporišič, Tomaž</creator><relation>documents/doc/N/URN_NBN_SI_doc-NJVHFANA_001.htm</relation><relation>documents/doc/N/URN_NBN_SI_doc-NJVHFANA_001.pdf</relation><relation>documents/doc/N/URN_NBN_SI_doc-NJVHFANA_001.txt</relation><format format_type="issue">1</format><format format_type="volume">33</format><format format_type="type">article</format><format format_type="extent">str. 217-232</format><identifier identifier_type="ISSN">0351-1189</identifier><identifier identifier_type="COBISSID">42795618</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-NJVHFANA</identifier><language>eng</language><publisher>Slovensko društvo za primerjalno književnost</publisher><source>Primerjalna književnost</source><rights>InC</rights><subject language_type_id="slv">gledališče</subject><subject language_type_id="slv">gledališka estetika</subject><subject language_type_id="slv">gledališki esej</subject><subject language_type_id="slv">performativnost</subject><subject language_type_id="slv">povratna zanka</subject><subject language_type_id="slv">singularnost</subject><subject language_type_id="eng">theater</subject><title>singularity and performativity</title><title>The essay on stage</title></Record>