54 KB361 KB53 KB197820252002Jovanovski, Alenkaštevilka:2letnik:25str. 41-58ISSN:0351-1189COBISSID:20073314URN:URN:NBN:SI:doc-NDU09MC4slSlovensko društvo za primerjalno književnostPrimerjalna književnostaestheticsestetikaliterarna recepcijamistikanovi vekspoznavna teorijaNovoveška estetika in mistika|Modern aesthetics and mysticism. The paper explores the experience of the beautiful as possibly a common ground between mysticism and modern aesthetics. The evolution of the latter - considered in the light of Gadamer's thesis on the subjectification of aesthetics since Kant - is thus set against the background of Platonic philosophy and the mystical aesthetics of Pseudo-Dionysius the Areopagite. On the other hand, it is interested in the aesthetics between Kant and Iser whose theory does not agree with Kant's thesis about the lack of cognitive value in the aesthetic experience. Despite the striking analogy with the mystical ascent to God, the aesthetic experience remains limited in the subject-object relationship, and that is why also the act of reading ends only in the reader's cognition of himselfČlanek se ukvarja z izkušnjo lepega kot možno stično točko med mistiko in novoveško estetiko, razvoj katere - obravnavan v luči Gadamerjeve teze o subjektiviranju estetike prek Kanta - je s tem položen na ozadje Platonove filozofije in mistične estetike Dionizija Areopagita. Po drugi strani ugotavlja razvojne linije estetike med Kantom in Iserjem, čigar teorija bralnega dejanja pobija Kantovo tezo o manku spoznavne vrednosti v estetskem izkustvu. Ker to ostaja zamejeno v odnos subjekt-objekt, se bralno dejanje - kljub analogiji z mističnim vzponom k Bogu - dopolni samo v bralčevem spoznanju samega sebeTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlovensko društvo za primerjalno književnost