{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-NDD79J1Z/5e81c4a2-99db-479c-a0ff-af0d0ade73da/HTML","dcterms:extent":"12 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-NDD79J1Z/9c057805-1394-4e2c-a763-cd3819f86f90/PDF","dcterms:extent":"226 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-NDD79J1Z/832ee99c-b167-4e4e-82d3-b5f77bf6cbaf/TEXT","dcterms:extent":"11 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-NDD79J1Z/3f0c7625-12cb-46a2-b4d4-830ddcbb2e49/HTML","dcterms:extent":"11 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-NDD79J1Z/40891a75-6831-433b-9748-70819dee7c2c/PDF","dcterms:extent":"214 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-NDD79J1Z/beaef2c6-fd8e-405b-af1f-5b0d6f17ba69/TEXT","dcterms:extent":"10 KB"}],"edm:TimeSpan":{"@rdf:about":"1978-2025","edm:begin":{"@xml:lang":"en","#text":"1978"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-NDD79J1Z","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-EVBFLKN7"},{"@xml:lang":"sl","#text":"Primerjalna književnost"}],"dcterms:issued":"2009","dc:contributor":"Blake, Jason","dc:creator":"Kumerdej, Mojca","dc:format":[{"@xml:lang":"sl","#text":"letnik:32"},{"@xml:lang":"sl","#text":"5 strani / 4 strani"},{"@xml:lang":"sl","#text":"številka:posebna številka"},{"@xml:lang":"sl","#text":"str. 25-28, 181-185"}],"dc:identifier":["ISSN:0351-1189","COBISSID:39960930","URN:URN:NBN:SI:doc-NDD79J1Z"],"dc:language":["en","sl"],"dc:publisher":{"@xml:lang":"sl","#text":"Slovensko društvo za primerjalno književnost"},"dc:subject":[{"@xml:lang":"sl","#text":"avtor"},{"@xml:lang":"sl","#text":"avtorstvo"},{"@xml:lang":"sl","#text":"literarna teorija"},{"@xml:lang":"en","#text":"literary theory"},{"@xml:lang":"sl","#text":"umetniška ustvarjalnost"},{"@xml:lang":"sl","#text":"ustvarjalni proces"},{"@rdf:resource":"http://www.wikidata.org/entity/Q482980"}],"dcterms:temporal":{"@rdf:resource":"1978-2025"},"dc:title":{"@xml:lang":"sl","#text":"Med božjo iskrico in lastno smrtjo| Between the divine spark and one's own death|"},"dc:description":[{"@xml:lang":"sl","#text":"In spite of contemporary literary theories, which have taken off writer's laurels of the authorship as un unrepeated original synthesis of form and content and have implanted doubt about creativeness as an effect of author's will, skills and intention, one of the key features of the traditional authorship concept is kept in the creative process - narcissism as a prolongation of the infantile period and with it connected feeling of creation ability within the field of unlimited possibilities. The paradox of the literary - and perhaps of any artistic creativeness - is in this, that a writer feels the most on himself and for himself in those creative periods, when it seems to him that, pervaded by unlimited, ocean feeling, he is surpassed by his own creativeness, that thus he alone is not the one who controls the process, but is \"merely\" the means of a creative process"},{"@xml:lang":"sl","#text":"Kljub sodobnim literarnim teorijam, ki so piscu snele lovoriko avtorstva kot neponovljive izvirne sinteze forme in vsebine in so vcepile dvom v ustvarjalnost kot učinek avtorjeve volje, veščin in namena, se v ustvarjalnem procesu ohranja ena ključnih potez tradicionalnega pojmovanja avtorstva - narcizem kot podaljšek infantilnega obdobja in z njim povezan občutek zmožnosti kreacije v polju neomejenih možnosti. Paradoks literarne - in nemara vsakršne umetniške ustvarjalnosti - je v tem, da se pisec čuti najbolj na sebi in za sebe v tistih ustvarjalnih obdobjih, ko se mu zdi, da ga, prežetega z neomejenim, oceanskim občutjem njegova lastna ustvarjalnost presega, da torej ni sam tisti, ki proces nadzoruje, ampak je \"zgolj\" sredstvo ustvarjalnega procesa, hkrati pa je ključni vezni element tega procesa njegovo ingeniozno veličanstvo - avtor sam"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-NDD79J1Z","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-NDD79J1Z"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-NDD79J1Z/9c057805-1394-4e2c-a763-cd3819f86f90/PDF"},"edm:rights":{"@rdf:resource":"http://rightsstatements.org/vocab/InC/1.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovensko društvo za primerjalno književnost"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-NDD79J1Z/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-NDD79J1Z"}}}}