{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-N9CIWUUV/dbfcb3e4-1ff2-4a70-9f2e-87289dbad418/PDF","dcterms:extent":"256 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-N9CIWUUV/342b1265-dc06-4ea1-8b9f-ea8d1640584d/TEXT","dcterms:extent":"43 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-N9CIWUUV/7fd47957-85af-4a8f-8b03-4e402adb5cdb/PDF","dcterms:extent":"251 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-N9CIWUUV/f636b7d7-a145-47a8-a26d-40423277f455/TEXT","dcterms:extent":"43 KB"}],"edm:TimeSpan":{"@rdf:about":"2015-2025","edm:begin":{"@xml:lang":"en","#text":"2015"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-N9CIWUUV","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE"},{"@xml:lang":"sl","#text":"Amfiteater (Ljubljana)"}],"dcterms:issued":"2024","dc:creator":"Kunderová, Radka","dc:contributor":"Vojevec, Jaka A.","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:12"},{"@xml:lang":"sl","#text":"str. 76-92, 94-110"}],"dc:identifier":["DOI:10.51937/Amfiteater-2024-1/76-110","ISSN:1855-4539","COBISSID_HOST:200278787","URN:URN:NBN:SI:doc-N9CIWUUV"],"dc:language":["en","sl"],"dc:publisher":{"@xml:lang":"sl","#text":"= University of Ljubljana Press"},"dc:subject":[{"@xml:lang":"sl","#text":"1990-2000"},{"@xml:lang":"en","#text":"comedy"},{"@xml:lang":"en","#text":"Czech theatre"},{"@xml:lang":"sl","#text":"češko gledališče"},{"@xml:lang":"sl","#text":"Gledališče na balustradi"},{"@xml:lang":"sl","#text":"komedija"},{"@xml:lang":"sl","#text":"Naši naši furianti"},{"@xml:lang":"sl","#text":"Petr Lébi"},{"@xml:lang":"en","#text":"Petr Lébl"},{"@xml:lang":"en","#text":"political comedy"},{"@xml:lang":"sl","#text":"politično"},{"@xml:lang":"en","#text":"post-communism"},{"@xml:lang":"sl","#text":"postkomunizem"},{"@xml:lang":"sl","#text":"slv"},{"@xml:lang":"en","#text":"Theatre on the Balustrade"}],"dcterms:temporal":{"@rdf:resource":"2015-2025"},"dc:title":{"@xml:lang":"sl","#text":"Komično in politično v češkem gledališču po leti 1989| The comic and the political in the Czech theatre after 1989|"},"dc:description":[{"@xml:lang":"sl","#text":"The paper examines the interrelation between the political and the comic in the Czech theatre of the early 1990s. It identifies different approaches taken by proponents of various theatre generations to reflect upon the burning issues of the post-communist society during the first years of the social transition. The author argues that the position of performing the political in Czech theatres’ repertoires was not as minor as often claimed. A number of theatre makers of the middle generation and the youngest “postmodern” generation did make attempts to criticise the status quo in their productions. One of them, Petr Lébl’s remarkable production of Naši naši furianti (Our Our Swaggerers), staged at the Theatre on the Balustrade in Prague in 1994, is analysed in detail"},{"@xml:lang":"sl","#text":"Članek preučuje medsebojno povezanost političnega in komičnega v češkem gledališču na začetku devetdesetih let prejšnjega stoletja. Opredeljuje raznolike pristope, ki so jih zagovorniki različnih gledaliških generacij uporabljali za razmislek o perečih vprašanjih postkomunistične družbe v prvih letih družbene tranzicije. Avtorica zagovarja tezo, da uprizarjanje političnega na repertoarjih čeških gledališč ni bilo v tako zelo podrejenem položaju, kot pogosto trdijo. Številni gledališki ustvarjalci srednje in najmlajše »postmoderne« generacije so v uprizoritvah poskušali kritično komentirati status quo. Enega od teh poskusov članek tudi podrobneje analizira, gre za izjemno predstavo Naši naši furianti (Naši naši ošabneži) Petra Lébla, ki so jo leta 1994 uprizorili v Gledališču na balustradi v Pragi"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-N9CIWUUV","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-N9CIWUUV"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-N9CIWUUV/dbfcb3e4-1ff2-4a70-9f2e-87289dbad418/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-sa/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut (SLOGI)"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-N9CIWUUV/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-N9CIWUUV"}}}}