<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-N9CIWUUV/dbfcb3e4-1ff2-4a70-9f2e-87289dbad418/PDF"><dcterms:extent>256 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-N9CIWUUV/342b1265-dc06-4ea1-8b9f-ea8d1640584d/TEXT"><dcterms:extent>43 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-N9CIWUUV/7fd47957-85af-4a8f-8b03-4e402adb5cdb/PDF"><dcterms:extent>251 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-N9CIWUUV/f636b7d7-a145-47a8-a26d-40423277f455/TEXT"><dcterms:extent>43 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="2015-2025"><edm:begin xml:lang="en">2015</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-N9CIWUUV"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE" /><dcterms:issued>2024</dcterms:issued><dc:creator>Kunderová, Radka</dc:creator><dc:contributor>Vojevec, Jaka A.</dc:contributor><dc:format xml:lang="sl">številka:1</dc:format><dc:format xml:lang="sl">letnik:12</dc:format><dc:format xml:lang="sl">str. 76-92, 94-110</dc:format><dc:identifier>DOI:10.51937/Amfiteater-2024-1/76-110</dc:identifier><dc:identifier>ISSN:1855-4539</dc:identifier><dc:identifier>COBISSID_HOST:200278787</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-N9CIWUUV</dc:identifier><dc:language>en</dc:language><dc:language>sl</dc:language><dc:publisher xml:lang="sl">= University of Ljubljana Press</dc:publisher><dcterms:isPartOf xml:lang="sl">Amfiteater (Ljubljana)</dcterms:isPartOf><dc:subject xml:lang="sl">1990-2000</dc:subject><dc:subject xml:lang="en">comedy</dc:subject><dc:subject xml:lang="en">Czech theatre</dc:subject><dc:subject xml:lang="sl">češko gledališče</dc:subject><dc:subject xml:lang="sl">Gledališče na balustradi</dc:subject><dc:subject xml:lang="sl">komedija</dc:subject><dc:subject xml:lang="sl">Naši naši furianti</dc:subject><dc:subject xml:lang="sl">Petr Lébi</dc:subject><dc:subject xml:lang="en">Petr Lébl</dc:subject><dc:subject xml:lang="en">political comedy</dc:subject><dc:subject xml:lang="sl">politično</dc:subject><dc:subject xml:lang="en">post-communism</dc:subject><dc:subject xml:lang="sl">postkomunizem</dc:subject><dc:subject xml:lang="sl">slv</dc:subject><dc:subject xml:lang="en">Theatre on the Balustrade</dc:subject><dcterms:temporal rdf:resource="2015-2025" /><dc:title xml:lang="sl">Komično in politično v češkem gledališču po leti 1989| The comic and the political in the Czech theatre after 1989|</dc:title><dc:description xml:lang="sl">The paper examines the interrelation between the political and the comic in the Czech theatre of the early 1990s. It identifies different approaches taken by proponents of various theatre generations to reflect upon the burning issues of the post-communist society during the first years of the social transition. The author argues that the position of performing the political in Czech theatres’ repertoires was not as minor as often claimed. A number of theatre makers of the middle generation and the youngest “postmodern” generation did make attempts to criticise the status quo in their productions. One of them, Petr Lébl’s remarkable production of Naši naši furianti (Our Our Swaggerers), staged at the Theatre on the Balustrade in Prague in 1994, is analysed in detail</dc:description><dc:description xml:lang="sl">Članek preučuje medsebojno povezanost političnega in komičnega v češkem gledališču na začetku devetdesetih let prejšnjega stoletja. Opredeljuje raznolike pristope, ki so jih zagovorniki različnih gledaliških generacij uporabljali za razmislek o perečih vprašanjih postkomunistične družbe v prvih letih družbene tranzicije. Avtorica zagovarja tezo, da uprizarjanje političnega na repertoarjih čeških gledališč ni bilo v tako zelo podrejenem položaju, kot pogosto trdijo. Številni gledališki ustvarjalci srednje in najmlajše »postmoderne« generacije so v uprizoritvah poskušali kritično komentirati status quo. Enega od teh poskusov članek tudi podrobneje analizira, gre za izjemno predstavo Naši naši furianti (Naši naši ošabneži) Petra Lébla, ki so jo leta 1994 uprizorili v Gledališču na balustradi v Pragi</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-N9CIWUUV"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-N9CIWUUV" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-N9CIWUUV/dbfcb3e4-1ff2-4a70-9f2e-87289dbad418/PDF" /><edm:rights rdf:resource="http://creativecommons.org/licenses/by-sa/4.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Slovenski gledališki inštitut (SLOGI)</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-N9CIWUUV/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-N9CIWUUV" /></ore:Aggregation></rdf:RDF>