<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-MYEEUTYT</identifier><date>2001</date><creator>Copoeru, Ion</creator><relation>documents/doc/M/URN_NBN_SI_doc-MYEEUTYT_001.pdf</relation><relation>documents/doc/M/URN_NBN_SI_doc-MYEEUTYT_001.txt</relation><format format_type="volume">10</format><format format_type="issue">37/38</format><format format_type="type">article</format><format format_type="extent">str. 187-197</format><identifier identifier_type="ISSN">1318-3362</identifier><identifier identifier_type="COBISSID">17816674</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-MYEEUTYT</identifier><language>slv</language><publisher>Nova revija</publisher><source>Phainomena (Ljubljana)</source><rights>InC</rights><subject language_type_id="eng">art of painting</subject><subject language_type_id="slv">fenomenologija</subject><subject language_type_id="slv">Husserl, Edmund</subject><subject language_type_id="slv">noema</subject><subject language_type_id="slv">objektualnost</subject><subject language_type_id="slv">podoba</subject><subject language_type_id="slv">slikarstvo</subject><title>fenomenološka raziskava kompleksnih slik</title><title>Logik v galeriji</title></Record>