<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-MWLTHWDU</identifier><date>2017</date><creator>Hrvatin, Klara</creator><relation>documents/doc/M/URN_NBN_SI_doc-MWLTHWDU_001.pdf</relation><relation>documents/doc/M/URN_NBN_SI_doc-MWLTHWDU_001.txt</relation><format format_type="volume">5 (21)</format><format format_type="type">article</format><format format_type="issue">issue 1</format><format format_type="extent">str. 243-269</format><identifier identifier_type="ISSN">2232-5131</identifier><identifier identifier_type="COBISSID_HOST">63472994</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-MWLTHWDU</identifier><language>slv</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Asian studies</source><rights>BY-SA</rights><subject language_type_id="eng">film</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="eng">music</subject><subject language_type_id="slv">umetniška združenja</subject><subject language_type_id="slv">umetniški center Sôgetsu</subject><title>eksperimetalni peskovnik japonske avantgarde</title><title>Ko bom velik, bom umetnik</title></Record>