<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-MVBC5EBK</identifier><date>2006</date><creator>Keršič-Svetel, Marjeta</creator><relation>documents/doc/M/URN_NBN_SI_doc-MVBC5EBK_001.pdf</relation><relation>documents/doc/M/URN_NBN_SI_doc-MVBC5EBK_001.txt</relation><format format_type="issue">10</format><format format_type="volume">106</format><format format_type="type">article</format><format format_type="extent">str. 19-21</format><identifier identifier_type="ISSN">0350-4344</identifier><identifier identifier_type="COBISSID">289456640</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-MVBC5EBK</identifier><language>slv</language><publisher>Planinska zveza Slovenije</publisher><source>Planinski vestnik</source><rights>InC</rights><subject language_type_id="eng">art of painting</subject><subject language_type_id="slv">gore</subject><subject language_type_id="slv">slikarstvo</subject><title>Kako so se gore kot motiv pojavile v evropskem slikarstvu</title></Record>