<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-MUL4QUKY</identifier><date>2014</date><creator>Ziarek, Krzysztof</creator><relation>documents/doc/M/URN_NBN_SI_doc-MUL4QUKY_001.pdf</relation><relation>documents/doc/M/URN_NBN_SI_doc-MUL4QUKY_001.txt</relation><format format_type="issue">2</format><format format_type="volume">35</format><format format_type="type">article</format><format format_type="extent">str. 67-81, 328-330</format><identifier identifier_type="ISSN">0353-4510</identifier><identifier identifier_type="COBISSID">37941037</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-MUL4QUKY</identifier><language>eng</language><publisher>Filozofski inštitut ZRC SAZU</publisher><source>Filozofski vestnik</source><rights>BY-NC-ND</rights><subject language_type_id="eng">aesthetics</subject><subject language_type_id="slv">avantgarda</subject><subject language_type_id="eng">avant-garde</subject><subject language_type_id="eng">contemporary art</subject><subject language_type_id="slv">estetika</subject><subject language_type_id="eng">modernism</subject><subject language_type_id="slv">modernizem</subject><subject language_type_id="eng">poetry</subject><subject language_type_id="slv">poezija</subject><subject language_type_id="slv">sodobna umetnost</subject><title>The avant-garde and the end of art</title></Record>