{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-MMKDSD61/32f071e8-66b9-4a8b-a361-4730f24942df/PDF","dcterms:extent":"241 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-MMKDSD61/8a000412-1476-4d5d-a7c5-052738536770/TEXT","dcterms:extent":"56 KB"}],"edm:TimeSpan":{"@rdf:about":"2007-2025","edm:begin":{"@xml:lang":"en","#text":"2007"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-MMKDSD61","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-REUWXDY1"},{"@xml:lang":"sl","#text":"Ars et humanitas"}],"dcterms:issued":"2025","dc:creator":"Berlot Pompe, Uršula","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:19"},{"@xml:lang":"sl","#text":"str. 87-105"}],"dc:identifier":["DOI:10.4312/ars.19.1.87-105","ISSN:1854-9632","COBISSID_HOST:247647491","URN:URN:NBN:SI:doc-MMKDSD61"],"dc:language":"sl","dc:publisher":{"@xml:lang":"sl","#text":"Založba Univerze v Ljubljani"},"dc:subject":[{"@xml:lang":"en","#text":"artificial intelligence"},{"@xml:lang":"en","#text":"cognitive science"},{"@xml:lang":"en","#text":"instrumental art"},{"@xml:lang":"sl","#text":"instrumentalna umetnost"},{"@xml:lang":"sl","#text":"kognitivna znanost"},{"@xml:lang":"en","#text":"neuroscience"},{"@xml:lang":"sl","#text":"nevroznanost"},{"@xml:lang":"sl","#text":"raziskovalna umetnost"},{"@xml:lang":"en","#text":"research based art"},{"@xml:lang":"sl","#text":"umetna inteligenca"}],"dcterms:temporal":{"@rdf:resource":"2007-2025"},"dc:title":{"@xml:lang":"sl","#text":"Nevroznanost v raziskovalni umetnosti|"},"dc:description":[{"@xml:lang":"sl","#text":"Research-based artistic practices conceptually and technologically intervene with various fields of science and the humanities, while carrying out their research process on interdisciplinary methodologies with the aim of creating a work of art rather than formulating a scientific theory. The text initially outlines the relationship between theory and practice, and the methodological specificities of artistic research in relation to research in science. Further on, it illuminates methods, conceptual and contextual issues of instrumental art research and provides a systematization of artistic practices that introduce neuroscience and neurotechnology at certain stages of the creative process. The analysis of examples of selected artworks is based on the division of artistic approaches that use various neuro-research technologies – functional magnetic resonance imaging, brain wave measurement, mobile eye tracking – in interactive works (affective aspect), use radiological visualizations of the brain to create associations and poetic metaphors (rhetorical and metaphorical aspect), or explore the potential of neuromorphic and sensorial technologies in the field of generative artificial intelligence and robotic art (performative aspect)"},{"@xml:lang":"sl","#text":"Raziskovalne umetniške prakse konceptualno in tehnološko posegajo na različna področja znanosti in humanistike, pri čemer proces raziskovanja utemeljujejo v interdisciplinarnih metodologijah, katerih namen je ustvarjanje umetniškega dela, in ne oblikovanje znanstvene teorije. Besedilo uvodoma oriše razmerje med teorijo in prakso ter metodološke posebnosti umetniškega raziskovanja glede na raziskave v znanosti. V nadaljevanju osvetli metode ter konceptualne in kontekstualne problematike instrumentalne raziskovalne umetnosti ter poda sistematizacijo umetniških praks, ki v določenih fazah ustvarjanja vključujejo nevroznanost in nevrotehnologije. Analiza primerov izbranih umetniških del temelji na delitvi umetniških pristopov, ki uporabljajo različne nevroraziskovalne tehnologije – funkcijsko magnetno resonanco, merjenje možganskih valov, mobilno sledenje očesnim gibom – v interaktivnih delih (afektivni vidik) ter radiološke vizualizacije možganov za ustvarjanje asociacij in poetičnih metafor (retorični in metaforični vidik) ali raziskujejo potenciale nevromorfnih in senzornih tehnologij na področju uporabe generativne umetne inteligence in robotske umetnosti (performativni vidik)"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-MMKDSD61","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-MMKDSD61"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-MMKDSD61/32f071e8-66b9-4a8b-a361-4730f24942df/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-sa/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Univerza v Ljubljani, Filozofska fakulteta"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-MMKDSD61/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-MMKDSD61"}}}}