<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-MG6VVN28</identifier><date>2014</date><creator>Zor, Miha</creator><relation>documents/doc/M/URN_NBN_SI_doc-MG6VVN28_001.pdf</relation><relation>documents/doc/M/URN_NBN_SI_doc-MG6VVN28_001.txt</relation><format format_type="issue">2</format><format format_type="volume">8</format><format format_type="type">article</format><format format_type="extent">str. 59-71</format><identifier identifier_type="ISSN">1854-9632</identifier><identifier identifier_type="ISSN">2350-4218</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-MG6VVN28</identifier><language>eng</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Ars et humanitas</source><rights>InC</rights><subject language_type_id="slv">bordure</subject><subject language_type_id="slv">cikel Lancelot-Graal</subject><subject language_type_id="slv">knjižno slikarstvo</subject><subject language_type_id="slv">marginalije</subject><subject language_type_id="slv">rokopisi</subject><title>Border structures in Arthurian Manuscript BNF, fr. 95 as an expression of the artist's mente propria</title></Record>