<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-M5LAKY7T</identifier><date>2026</date><creator>Krieger, Helena Valerija</creator><relation>documents/doc/M/URN_NBN_SI_doc-M5LAKY7T_001.pdf</relation><relation>documents/doc/M/URN_NBN_SI_doc-M5LAKY7T_001.txt</relation><format format_type="issue">1</format><format format_type="volume">14</format><format format_type="type">article</format><format format_type="extent">str. 326-351</format><identifier identifier_type="DOI">10.51937/Amfiteater-2026-1/326-351</identifier><identifier identifier_type="ISSN">1855-4539</identifier><identifier identifier_type="COBISSID_HOST">289144067</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-M5LAKY7T</identifier><language>slv</language><publisher publisher_location="[Ljubljana]">= University of Ljubljana Press</publisher><source>Amfiteater (Ljubljana)</source><rights>BY-SA</rights><subject language_type_id="eng">contemporary ballet</subject><subject language_type_id="eng">intermedia artistic practice</subject><subject language_type_id="slv">intermedijska umetniška praksa</subject><subject language_type_id="eng">post-pandemic dance</subject><subject language_type_id="slv">postpandemijski ples</subject><subject language_type_id="slv">sodobni balet</subject><title>Heterotopije digitalne transformacije</title><title>prostorska analiza The dying swans project v pandemijskem in postpandemijskem kontekstu</title></Record>