<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-LUIHPZPP</identifier><date>2010</date><creator>Cvar, Nina</creator><relation>documents/doc/L/URN_NBN_SI_doc-LUIHPZPP_001.htm</relation><relation>documents/doc/L/URN_NBN_SI_doc-LUIHPZPP_001.pdf</relation><relation>documents/doc/L/URN_NBN_SI_doc-LUIHPZPP_001.txt</relation><format format_type="issue">242</format><format format_type="volume">38</format><format format_type="type">article</format><format format_type="extent">str. 63-71</format><identifier identifier_type="ISSN">0351-4285</identifier><identifier identifier_type="COBISSID">255432960</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-LUIHPZPP</identifier><language>slv</language><publisher>Študentska založba</publisher><source>Časopis za kritiko znanosti</source><rights>InC</rights><subject language_type_id="eng">film</subject><subject language_type_id="slv">filozofija</subject><subject language_type_id="eng">philosophy</subject><subject language_type_id="slv">realnost</subject><subject language_type_id="slv">teorija</subject><subject language_type_id="eng">theory</subject><title>3, 2, 1, akcija</title><title>film, filozofija, podoba misli, kinematični način produkcije, digitalna podoba in digitalni način produkcije</title></Record>