383 KB19 KB194820252017Gruden, Lučkaštevilka:2letnik:52str. 366-372ISSN:0350-6894COBISSID:64391266URN:URN:NBN:SI:doc-LEZYIWYRslSlavistično društvo SlovenijeSlavistična revijabesedagledališčeintermedialityliteraturemedmedialnostparaverbalparaverbalnoproductionprodukcijaradijska igraradioradio playSlovene literatureslovenska književnostsoundtheatertheatrezvokRadijska igra| produkcijski dialog z lastnim medijem in drugimi mediji|This article is based on audio samples of good practice in radio plays. The samples were selected to emphasize features essential to radio and its most structured genre (i.e., the radio play or so-called sound theatre). They are: the illusion of intimate contact, the illusion of simultaneity, the paraverbal as the strongest signal in a spoken message, the hierarchy of voices, identifying the listener and director as "primary listener," minimalism, segmented composition that can catch even the casual listener, recycling, and silence as a powerful compositional and expressive elThis article is based on audio samples of good practice in radio plays. The samples were selected to emphasize features essential to radio and its most structured genre (i.e., the radio play or so-called sound theatre). They are: the illusion of intimate contact, the illusion of simultaneity, the paraverbal as the strongest signal in a spoken message, the hierarchy of voices, identifying the listener and director as "primary listener," minimalism, segmented composition that can catch even the casual listener, recycling, and silence as a powerful compositional and expressive element.ementPodlaga za prispevek so zvočni primeri dobre prakse z radijsko igro, izbrani tako, da so poudarjene tiste lastnosti, ki so za radio in za njegovo najbolj strukturirano zvrst (tj. radijsko igro oz. t. i. "zvočno gledališče") nepogrešljive. To so: iluzija intimnega stika, iluzija sočasnosti, paraverbalno kot najmočnejši signal govorjenega sporočila, hierarhija glasov, identifikacija poslušalca in režiserja kot "prvega poslušalca", minimalizem, segmentirana kompozicija, da prestreže tudi mimoidočega poslušalca, reciklaža in tišina kot močan kompozicijski in izrazni elementTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlavistično društvo Slovenije