{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-L1NIV8VX/2ef5da44-f49c-4c40-844a-b22355b8c73d/PDF","dcterms:extent":"266 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-L1NIV8VX/15e01582-3184-443f-8af2-6fd391f63bf3/TEXT","dcterms:extent":"43 KB"}],"edm:TimeSpan":{"@rdf:about":"1948-2025","edm:begin":{"@xml:lang":"en","#text":"1948"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-L1NIV8VX","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-QOIKGUTE"},{"@xml:lang":"sl","#text":"Slavistična revija"}],"dcterms:issued":"2015","dc:creator":"Zupan Sosič, Alojzija","dc:format":[{"@xml:lang":"sl","#text":"številka:2"},{"@xml:lang":"sl","#text":"letnik:63"},{"@xml:lang":"sl","#text":"str. 183-195"}],"dc:identifier":["ISSN:0350-6894","COBISSID:57979490","URN:URN:NBN:SI:doc-L1NIV8VX"],"dc:language":"sl","dc:publisher":{"@xml:lang":"sl","#text":"Slavistično društvo Slovenije"},"dc:subject":[{"@xml:lang":"sl","#text":"\"Čefurji raus\""},{"@xml:lang":"sl","#text":"\"Da me je strah?\""},{"@xml:lang":"en","#text":"contemporary Slovene novel"},{"@xml:lang":"sl","#text":"dialog"},{"@xml:lang":"en","#text":"dialogue"},{"@xml:lang":"en","#text":"free indirect speech"},{"@xml:lang":"sl","#text":"govor"},{"@xml:lang":"en","#text":"internal monologue"},{"@xml:lang":"sl","#text":"Krese, Maruša, 1947-2013"},{"@xml:lang":"en","#text":"mediation of speech"},{"@xml:lang":"sl","#text":"monolog"},{"@xml:lang":"en","#text":"monologue"},{"@xml:lang":"sl","#text":"notranji monolog"},{"@xml:lang":"en","#text":"Slovene literature"},{"@xml:lang":"sl","#text":"slovenska književnost"},{"@xml:lang":"sl","#text":"sodobni slovenski roman"},{"@xml:lang":"en","#text":"stream of consciousness"},{"@xml:lang":"sl","#text":"tok zavesti"},{"@xml:lang":"sl","#text":"Vojnovič, Goran, 1980-"}],"dcterms:temporal":{"@rdf:resource":"1948-2025"},"dc:title":{"@xml:lang":"sl","#text":"Govor v sodobnem slovenskem romanu|"},"dc:description":[{"@xml:lang":"sl","#text":"Research in the contemporary Slovene novel (1990-2015) has shown an increase in the share of speech. The main reason for this is a tendency for mimesis in speech as a means of characterization. This tendency was analyzed in the novel Čefurji raus! by Goran Vojnović. There is also a tendency for deautomatization and renovation of narration, which was analyzed in the novel Da me je strah? by Maruša Krese. The former is an example of a traditional presentation of monologue and dialogue, i.e., with speech tags and dialogue as a part of a screenplay, whereas the latter is a combination of monologue, dialogue, internal monologue, and free indirect speech, all of which make Krese's novel much more contemporary/innovative and complex. It is this multi-perspective syncretism of various speech techniques that invites innovative social criticism"},{"@xml:lang":"sl","#text":"Raziskava sodobnega slovenskega romana zadnjih let (1990-2015) je pokazala, da se je delež govora v njem povečal zaradi več razlogov; najpogostejši je težnja po mimetičnosti in razlikovalnosti govora kot sredstva karakterizacije, prisotna pa je tudi težnja po posodobitvi in deavtomatizaciji pripovedi. Prvo težnjo sem analizirala v romanu Čefurji raus Gorana Vojnovića, drugo pa v romanu Da me je strah? Maruše Krese. Prvi roman je primer tradicionalnega vnosa monologa in dialoga, dialogi pa so v smislu scenarizacije napisani kot prizori, drugi pa je v prepletu monologa, dialoga, notranjega monologa in doživljenega govora znatno bolj sodoben in zapleten - prav sinkretičnost njegovih govornih tehnik se z večperspektivnostjo odpira inovativni družbeni kritiki"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-L1NIV8VX","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-L1NIV8VX"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-L1NIV8VX/2ef5da44-f49c-4c40-844a-b22355b8c73d/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slavistično društvo Slovenije"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-L1NIV8VX/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-L1NIV8VX"}}}}