<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-L1NIV8VX/2ef5da44-f49c-4c40-844a-b22355b8c73d/PDF"><dcterms:extent>266 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-L1NIV8VX/15e01582-3184-443f-8af2-6fd391f63bf3/TEXT"><dcterms:extent>43 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1948-2025"><edm:begin xml:lang="en">1948</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-L1NIV8VX"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-QOIKGUTE" /><dcterms:issued>2015</dcterms:issued><dc:creator>Zupan Sosič, Alojzija</dc:creator><dc:format xml:lang="sl">številka:2</dc:format><dc:format xml:lang="sl">letnik:63</dc:format><dc:format xml:lang="sl">str. 183-195</dc:format><dc:identifier>ISSN:0350-6894</dc:identifier><dc:identifier>COBISSID:57979490</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-L1NIV8VX</dc:identifier><dc:language>sl</dc:language><dc:publisher xml:lang="sl">Slavistično društvo Slovenije</dc:publisher><dcterms:isPartOf xml:lang="sl">Slavistična revija</dcterms:isPartOf><dc:subject xml:lang="sl">"Čefurji raus"</dc:subject><dc:subject xml:lang="sl">"Da me je strah?"</dc:subject><dc:subject xml:lang="en">contemporary Slovene novel</dc:subject><dc:subject xml:lang="sl">dialog</dc:subject><dc:subject xml:lang="en">dialogue</dc:subject><dc:subject xml:lang="en">free indirect speech</dc:subject><dc:subject xml:lang="sl">govor</dc:subject><dc:subject xml:lang="en">internal monologue</dc:subject><dc:subject xml:lang="sl">Krese, Maruša, 1947-2013</dc:subject><dc:subject xml:lang="en">mediation of speech</dc:subject><dc:subject xml:lang="sl">monolog</dc:subject><dc:subject xml:lang="en">monologue</dc:subject><dc:subject xml:lang="sl">notranji monolog</dc:subject><dc:subject xml:lang="en">Slovene literature</dc:subject><dc:subject xml:lang="sl">slovenska književnost</dc:subject><dc:subject xml:lang="sl">sodobni slovenski roman</dc:subject><dc:subject xml:lang="en">stream of consciousness</dc:subject><dc:subject xml:lang="sl">tok zavesti</dc:subject><dc:subject xml:lang="sl">Vojnovič, Goran, 1980-</dc:subject><dcterms:temporal rdf:resource="1948-2025" /><dc:title xml:lang="sl">Govor v sodobnem slovenskem romanu|</dc:title><dc:description xml:lang="sl">Research in the contemporary Slovene novel (1990-2015) has shown an increase in the share of speech. The main reason for this is a tendency for mimesis in speech as a means of characterization. This tendency was analyzed in the novel Čefurji raus! by Goran Vojnović. There is also a tendency for deautomatization and renovation of narration, which was analyzed in the novel Da me je strah? by Maruša Krese. The former is an example of a traditional presentation of monologue and dialogue, i.e., with speech tags and dialogue as a part of a screenplay, whereas the latter is a combination of monologue, dialogue, internal monologue, and free indirect speech, all of which make Krese's novel much more contemporary/innovative and complex. It is this multi-perspective syncretism of various speech techniques that invites innovative social criticism</dc:description><dc:description xml:lang="sl">Raziskava sodobnega slovenskega romana zadnjih let (1990-2015) je pokazala, da se je delež govora v njem povečal zaradi več razlogov; najpogostejši je težnja po mimetičnosti in razlikovalnosti govora kot sredstva karakterizacije, prisotna pa je tudi težnja po posodobitvi in deavtomatizaciji pripovedi. Prvo težnjo sem analizirala v romanu Čefurji raus Gorana Vojnovića, drugo pa v romanu Da me je strah? Maruše Krese. Prvi roman je primer tradicionalnega vnosa monologa in dialoga, dialogi pa so v smislu scenarizacije napisani kot prizori, drugi pa je v prepletu monologa, dialoga, notranjega monologa in doživljenega govora znatno bolj sodoben in zapleten - prav sinkretičnost njegovih govornih tehnik se z večperspektivnostjo odpira inovativni družbeni kritiki</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-L1NIV8VX"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-L1NIV8VX" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-L1NIV8VX/2ef5da44-f49c-4c40-844a-b22355b8c73d/PDF" /><edm:rights rdf:resource="http://creativecommons.org/licenses/by/4.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Slavistično društvo Slovenije</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-L1NIV8VX/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-L1NIV8VX" /></ore:Aggregation></rdf:RDF>