{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-KIAH64GN/9bf1dcc3-cbb4-4aa3-ae90-39002829fca9/PDF","dcterms:extent":"466 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-KIAH64GN/17261a16-a880-4cfa-8e0f-5900d4ede951/TEXT","dcterms:extent":"0 KB"}],"edm:TimeSpan":{"@rdf:about":"2001-2025","edm:begin":{"@xml:lang":"en","#text":"2001"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-KIAH64GN","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-HQCGQAIH"},{"@xml:lang":"sl","#text":"Monitor ISH"}],"dcterms:issued":"2021","dc:creator":"Krieger, Helena Valerija","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:23"},{"@xml:lang":"sl","#text":"str. 75-107"}],"dc:identifier":["COBISSID:103814147","ISSN:1580-688X","URN:URN:NBN:SI:doc-KIAH64GN"],"dc:language":"sl","dc:publisher":{"@xml:lang":"sl","#text":"Alma Mater Europaea-Institutum Studiorum Humanitatis, Fakulteta za podiplomski humanistični študij"},"dc:subject":[{"@xml:lang":"sl","#text":"20.st."},{"@xml:lang":"sl","#text":"Balet"},{"@xml:lang":"sl","#text":"moderni ples"},{"@xml:lang":"sl","#text":"Ples"}],"dcterms:temporal":{"@rdf:resource":"2001-2025"},"dc:title":{"@xml:lang":"sl","#text":"Balet in ples 20. stoletja|"},"dc:description":[{"@xml:lang":"sl","#text":"In the art of the 20th century, there was a break with the artistic tradition and the need for experimentation led to the emergence of new artistic directions as forms of modernism that did not have the same programs, the only thing they had in common was anti-traditionalism. Dance and within it ballet was given a new image, which co-shaped the development of two branches of dance art: modern ballet and modern dance. Over the centuries, these two forms have shifted and converged from each other and in the 1980s co-created a new, postmodern form that became the foundation of the 21st century contemporary dance and ballet art. The purpose of the paper is to review and illuminate the dance-ballet transformation and hybridization of ballet classics through a historical perspective from the modern period to the end of the 20th century, marked by postmodernism. We used qualitative descriptive content analysis to study individual phases of gradual transformation and the influences of artistic currents that interfered with the relationship to body, movement, tradition, form, representation and the birth of new dance styles that contributed to the hybridization of ballet classics and the development of postmodern dance"},{"@xml:lang":"sl","#text":"V umetnosti 20. stoletja se je zgodil prelom z umetniško tradicijo in potreba po eksperimentiranju je botrovala nastajanju novih umetniških smeri kot oblik modernizma, ki niso imele istih programov, skupen jim je bil le antitradicionalizem. Ples in znotraj njega balet je dobival novo podobo, ki je sooblikovala razvoj dveh vej plesne umetnosti: moderni balet in moderni ples. Skozi stoletje sta se ti dve formi odmikali in približevali ena od druge in v osemdesetih letih sooblikovali novo, postmoderno formo, ki je postala temelj sodobne plesno baletne umetnosti 21. stoletja. Namen besedila je pregled in osvetlitev plesno baletne transformacije in hibridizacije baletne klasike skozi zgodovinsko perspektivo od obdobja moderne do konca 20. stoletja, ki ga je zaznamoval postmodernizem. Uporabili smo kvalitativno deskriptivno vsebinsko analizo, s pomočjo katere smo preučili posamezne faze postopne transformacije ter vplive umetniških tokov, ki so posegali v odnos do telesa, giba, tradicije, forme, reprezentacije in rojevanje novih plesnih slogov, ki so prispevali k hibridizaciji baletne klasike in razvoju postmodernega plesa"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-KIAH64GN","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-KIAH64GN"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-KIAH64GN/9bf1dcc3-cbb4-4aa3-ae90-39002829fca9/PDF"},"edm:rights":{"@rdf:resource":"http://rightsstatements.org/vocab/InC/1.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Institutum Studiorum Humanitatis - Fakulteta za podiplomski humanistični študij"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-KIAH64GN/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-KIAH64GN"}}}}