<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-KG80XQI7/ad490305-01fe-4fa1-8780-a970894cc6bc/PDF"><dcterms:extent>263 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-KG80XQI7/fed7a782-7ed7-4e75-a259-35a9747a3850/TEXT"><dcterms:extent>0 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="2023-2026"><edm:begin xml:lang="en">2023</edm:begin><edm:end xml:lang="en">2026</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-KG80XQI7"><edm:isNextInSequence rdf:resource="https://www.dlib.si/details/URN:NBN:SI:doc-RL8I704Y" /><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-26PF4AW0" /><dcterms:issued>2026</dcterms:issued><dc:creator>Keršmanc, Robin Tigran</dc:creator><dc:format xml:lang="sl">številka:2</dc:format><dc:format xml:lang="sl">letnik:4</dc:format><dc:format xml:lang="sl">str. 31-48</dc:format><dc:identifier>DOI:10.4312/svetovi.4.2.31-48</dc:identifier><dc:identifier>ISSN:2820-6088</dc:identifier><dc:identifier>COBISSID_HOST:285640963</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-KG80XQI7</dc:identifier><dc:language>en</dc:language><dc:publisher xml:lang="sl">Založba Univerze v Ljubljani</dc:publisher><dcterms:isPartOf xml:lang="sl">Svetovi (Ljubljana)</dcterms:isPartOf><dc:subject xml:lang="sl">Antropologija</dc:subject><dc:subject xml:lang="en">creative industries</dc:subject><dc:subject xml:lang="en">creativity</dc:subject><dc:subject xml:lang="sl">Etnologija</dc:subject><dc:subject xml:lang="en">EU funding programmes</dc:subject><dc:subject xml:lang="en">handicraft</dc:subject><dc:subject xml:lang="sl">kreativne industrije</dc:subject><dc:subject xml:lang="sl">Kulturne industrije</dc:subject><dc:subject xml:lang="sl">programi financiranja EU</dc:subject><dc:subject xml:lang="en">projectification</dc:subject><dc:subject xml:lang="sl">projektifikacija</dc:subject><dc:subject xml:lang="en">regimes of valuation</dc:subject><dc:subject xml:lang="sl">režimi vrednotenja</dc:subject><dc:subject xml:lang="sl">Rokodelstvo</dc:subject><dc:subject xml:lang="sl">Umetna obrt</dc:subject><dc:subject xml:lang="sl">ustvarjalnost</dc:subject><dc:subject xml:lang="sl">Vodenje projektov</dc:subject><dcterms:temporal rdf:resource="2023-2026" /><dc:title xml:lang="sl">Projectification of Handicraft| Regimes of Valuation in European Creative Industries| Projektifikacija rokodelstva| režimi vrednotenja v evropskih kreativnih industrijah|</dc:title><dc:description xml:lang="sl">This article analyses how European open calls co-shape handicraft in Slovenia through processes of projectification. Based on the analysis of two projects – Craftwork and Heritage &amp; Modernity – it demonstrates that these calls operate on two levels: as discursive mechanisms that regulate the valuation of handicraft through specific signifiers, and as material managerial regimes that organise the conditions of production through institutional requirements. Thus, these calls do not function merely as a form of support but rather as active governance processes that simultaneously produce regimes of valuation and the material conditions of handicraft practice. The article argues that European policies do not only facilitate but actively transform handicraft within the framework of the creative industries</dc:description><dc:description xml:lang="sl">Članek analizira, kako evropski razpisi v procesih projektifikacije sooblikujejo rokodelstvo v Sloveniji. Na podlagi analize projektov Craftwork ter Dediščina in sodobnost pokaže, da razpisi delujejo dvoplastno: kot diskurzivni mehanizmi, ki prek označevalcev normirajo vrednotenje rokodelstva, ter kot materialni upravljavski režimi, ki prek institucionalnih zahtev organizirajo produkcijske razmere. Razpisi tako ne delujejo zgolj kot podpora, temveč kot aktivni procesi upravljanja, ki hkrati proizvajajo režime vrednotenja in materialne razmere rokodelske prakse. Članek trdi, da evropske politike ne le omogočajo, temveč aktivno preoblikujejo rokodelstvo v okviru kreativnih industrij</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-KG80XQI7"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-KG80XQI7" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-KG80XQI7/ad490305-01fe-4fa1-8780-a970894cc6bc/PDF" /><edm:rights rdf:resource="http://creativecommons.org/licenses/by-sa/4.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Univerza v Ljubljani, Filozofska fakulteta (Oddelek za etnologijo in kulturno antropologijo)</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-KG80XQI7/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-KG80XQI7" /></ore:Aggregation></rdf:RDF>