{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-KG35QWU8/dafb6dd3-375f-42ff-a8ff-d453bcb5e8cf/PDF","dcterms:extent":"257 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-KG35QWU8/cbc8a91e-fc2d-49ad-8160-786927aa7d33/TEXT","dcterms:extent":"35 KB"}],"edm:TimeSpan":{"@rdf:about":"2015-2025","edm:begin":{"@xml:lang":"en","#text":"2015"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-KG35QWU8","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE"},{"@xml:lang":"sl","#text":"Amfiteater (Ljubljana)"}],"dcterms:issued":"2021","dc:creator":"Kačić Rogošić, Višnja","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:9"},{"@xml:lang":"sl","#text":"str. 52-66"}],"dc:identifier":["DOI:10.51937/Amfiteater-2021-1/52-66","ISSN:1855-4539","COBISSID_HOST:68145667","URN:URN:NBN:SI:doc-KG35QWU8"],"dc:language":"en","dc:publisher":[{"@xml:lang":"sl","#text":"Akademija za gledališče, radio, film in televizijo"},{"@xml:lang":"sl","#text":"Društvo gledaliških kritikov in teatrologov Slovenije"},{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut"}],"dc:subject":[{"@xml:lang":"sl","#text":"21. st."},{"@xml:lang":"sl","#text":"55+"},{"@xml:lang":"en","#text":"community of participants"},{"@xml:lang":"en","#text":"Conversing"},{"@xml:lang":"sl","#text":"Ljubavni slučaj Fahrije P."},{"@xml:lang":"sl","#text":"O skupnosti"},{"@xml:lang":"en","#text":"On community"},{"@xml:lang":"sl","#text":"Razgovaranje"},{"@xml:lang":"en","#text":"The love case of Fahrija P"},{"@xml:lang":"en","#text":"Zagreb non-institutional theatre of the 2010s"},{"@xml:lang":"sl","#text":"zagrebško neinstitucionalno gledališče"}],"dcterms:temporal":{"@rdf:resource":"2015-2025"},"dc:title":{"@xml:lang":"sl","#text":"Keeping the promise of community| communal efforts on the contemporary Zagreb non-institutional scene|"},"dc:description":[{"@xml:lang":"sl","#text":"In their 1979 manifesto, the independent experimental theatre collective Kugla glumište (Zagreb, 1975-1985) claims: \"Kugla discovers images, symbols and stories that wish to be the promise of community.\" The article explores the repercussions of those neo-avant-garde community efforts on the contemporary Zagreb non-institutional scene by analysing four inclusive performances which differ in motivations, aesthetic aims, production levels and participatory modes. In The Love Case of Fahrija P (2017), the ex-members of Kugla and additional co-authors stage a polylogue with the artistic heritage of the deceased Kugla glumište member Željko Zorica Šiš (1957-2013) and the inclusive procedures they devised during the 1970s. The community project 55+ (2012) by the production platform Montažstroj gathers the participants who are over 55 in workshops, public debates, celebrations, protests and a documentary to provide visibility and voice to that neglected generation. In the trilogy On Community (2010-2011), the production platform Shadow Casters tests different mechanisms of creating temporary aesthetic communities, from learning an a cappella group song to sharing secrets, on its recipients. Finally, the atmospheric inclusion of the subtly associative performance Conversing (2019) by Fourhanded offers an almost elitist opportunity of co-existing in the intimate world of private tensions. However, what they all have in common is a physically non-invasive form, emotional and/or intellectual engagement and an emphasised personal commitment that can oblige audiences to reciprocate while they join the community of experience"},{"@xml:lang":"sl","#text":"Leta 1979 v svojem manifestu kolektiv eksperimentalnega gledališča Kugla (Zagreb, 1975-1985) zapiše: \"Kugla odkriva podobe, simbole in zgodbe, ki želijo biti obljuba skupnosti.\" Raziskali bomo posledice teh neoavantgardih skupnostnih podvigov za zagrebško neinstitucionalno sceno skozi štiri modele inkluzivnih uprizoritvenih praks/uprizoritev, ki se razlikujejo v izhodiščih, estetskih ciljih, nivojih produkcije in načinih sodelovanja. V Ljubezenskem primeru Fahrije P (2017) bivši člani Kugle z drugimi soavtorji uprizorijo polilog z literarno, vizualno in performativno zapuščino pokojnega člana gledališča Kugla, multimedijskega ustvarjalca Željka Zorice Šiša (1957-2013). Uporabijo interaktivne postopke, ki so jih razvili v 70. letih. V dolgotrajnem in velikopoteznem projektu 55+ (2012) v produkciji platforme Montažstroj ustvarjalci zberejo udeležence, starejše od 55 let, na delavnicah, javnih razpravah, praznovanjih, protestih in v dokumentarnem filmu ter s tem opolnomočijo zanemarjeno generacijo in ji omogočijo glas in vidnost. V trilogiji O skupnosti (2010-2011) produkcijska platforma Metalci sence raziskuje delovanje različnih mehanizmov ustvarjanja začasnih estetskih skupnosti, od vaje vokalne skupine do deljenja skrivnosti, na udeležence. In končno: v subtilno asociativni predstavi Niti prijatelj niti brat (2018) v produkciji organizacije Fourhanded atmosferska inkluzija ponuja skoraj elitistično možnost soobstoja v intimnem svetu zasebnih napetosti. Skupni so jim fizično neinvazivna forma, emocionalna in/ali intelektualna vključenost ter poudarek na osebni zavezi (kot posledici praktičnih ali ustvarjalnih zagat), ki lahko gledalce zvabijo k odzivu na vključujočo izkušnjo"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-KG35QWU8","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-KG35QWU8"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-KG35QWU8/dafb6dd3-375f-42ff-a8ff-d453bcb5e8cf/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut (SLOGI)"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-KG35QWU8/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-KG35QWU8"}}}}