<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-K8SY5SLJ</identifier><date>2020</date><creator>Miklavčič, Jonas</creator><relation>documents/doc/K/URN_NBN_SI_doc-K8SY5SLJ_001.pdf</relation><relation>documents/doc/K/URN_NBN_SI_doc-K8SY5SLJ_001.txt</relation><format format_type="issue">112/113</format><format format_type="volume">29</format><format format_type="type">article</format><format format_type="extent">str. 249-270</format><identifier identifier_type="ISSN">1318-3362</identifier><identifier identifier_type="COBISSID_HOST">25370371</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-K8SY5SLJ</identifier><language>slv</language><publisher>Nova revija</publisher><source>Phainomena (Ljubljana)</source><rights>InC</rights><subject language_type_id="eng">cinema</subject><subject language_type_id="slv">čas</subject><subject language_type_id="slv">film</subject><subject language_type_id="slv">kader</subject><subject language_type_id="eng">montage</subject><subject language_type_id="slv">montaža</subject><subject language_type_id="eng">shot</subject><subject language_type_id="slv">Tarkovskij, Andrej Arsen'evič</subject><subject language_type_id="eng">time</subject><title>koncept časa v filmski teoriji in praksi Andreja Tarkovskega</title><title>Med kadrom in montažo</title></Record>