<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-K644PQLO</identifier><date>2018</date><creator>Pori, Eva</creator><relation>documents/doc/K/URN_NBN_SI_doc-K644PQLO_001.pdf</relation><relation>documents/doc/K/URN_NBN_SI_doc-K644PQLO_001.txt</relation><format format_type="issue">1</format><format format_type="volume">6</format><format format_type="type">article</format><format format_type="extent">str. 210-214</format><identifier identifier_type="ISSN">1855-4539</identifier><identifier identifier_type="ISSN">1855-850X</identifier><identifier identifier_type="COBISSID">239685632</identifier><identifier identifier_type="COBISSID">249943040</identifier><identifier identifier_type="URN">URN:NBN:SI:DOC-K644PQLO</identifier><language>slv</language><publisher>Akademija za gledališče, radio, film in televizijo</publisher><publisher>Društvo gledaliških kritikov in teatrologov Slovenije</publisher><source>Amfiteater (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">Mateja Pezdirc Bartol: Navzkrižja svetov: študije o slovenski dramatiki</subject><subject language_type_id="slv">recenzija</subject><title>(Ob)robno v središču</title><title>slovenska (sodobna) dramatika z novega gledišča</title></Record>