{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-K5RXOFWO/2555a8b0-bf45-49aa-9f10-6003645cfdaf/PDF","dcterms:extent":"617 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-K5RXOFWO/5b8c232b-7c53-43db-9d63-010e29bc2b47/TEXT","dcterms:extent":"48 KB"}],"edm:TimeSpan":{"@rdf:about":"1978-2025","edm:begin":{"@xml:lang":"en","#text":"1978"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-K5RXOFWO","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-EVBFLKN7"},{"@xml:lang":"sl","#text":"Primerjalna književnost"}],"dcterms:issued":"2017","dc:creator":"Vukićević-Janković, Vesna","dc:format":[{"@xml:lang":"sl","#text":"številka:3"},{"@xml:lang":"sl","#text":"letnik:40"},{"@xml:lang":"sl","#text":"str. 115-131"}],"dc:identifier":["ISSN:0351-1189","COBISSID_HOST:65877858","URN:URN:NBN:SI:doc-K5RXOFWO"],"dc:language":"en","dc:publisher":{"@xml:lang":"sl","#text":"Slovensko društvo za primerjalno književnost"},"dc:subject":[{"@xml:lang":"sl","#text":"\"Životopis Malvine Trifković\""},{"@xml:lang":"sl","#text":"ideologija"},{"@xml:lang":"en","#text":"ideology"},{"@xml:lang":"sl","#text":"intertekstualnost"},{"@xml:lang":"en","#text":"intertextuality"},{"@xml:lang":"sl","#text":"Kovač, Mirko, 1938-1987"},{"@xml:lang":"en","#text":"narrative structure"},{"@xml:lang":"sl","#text":"pripovedna struktura"},{"@xml:lang":"sl","#text":"represija"},{"@xml:lang":"en","#text":"repression"},{"@xml:lang":"en","#text":"Serbian literature"},{"@xml:lang":"sl","#text":"srbska književnost"}],"dcterms:temporal":{"@rdf:resource":"1978-2025"},"dc:title":{"@xml:lang":"sl","#text":"Mirko Kovač's narrative alloy (Biography of Malvina Trifković)|"},"dc:description":[{"@xml:lang":"sl","#text":"Mirko Kovač's short novel Malvina (Biography of Malvina Trifković, 1971) is composed in an indirect, fragmentary sequencing of a variety of forms and kinds of discourses. The textual fragmentation principle is exactly what activates the reader's engagement in the process of (re)constitution and (re)construction of meaning. Kovač's poetical principles rise from his commitment to reality, the reader, and the literary text. Since it was first published, Malvina has attracted the attention of a wide professional and non-professional readership, primarily as a narrative about Serbian-Croatian hatred and as the first lesbian novel in the South Slavic world. It was not only the choice of narrative forms but also that of the topic that marks Kovač's text as open to those forms of social life placed on the margins of society and exposed to repression. Kovač builds up ironic outlines of the codes of socio-cultural milieus and of all the forms of social power, providing a parodic image of social morality based on subversive mechanisms and partial truths. The social, political, ideological, religious, ethic, and aesthetic models of the world through which one perceives reality are established in the absence of emancipated action and choice. Prohibitions and limitations, stereotypes, and taboos, and, on the opposite side, transgression (breaking of boundaries) of all the proscriptions, are the object of redescription in this work"},{"@xml:lang":"sl","#text":"Kratki roman Mirka Kovača Malvina (Življenjepis Malvine Trifković, 1971) je sestavljen s posrednim, fragmentarnim nizanjem najrazličnejših form in vrst diskurzov. Prav princip tekstualne fragmentacije spodbudi bralčevo vpletenost v proces (re)konstitucije in (re)konstrukcije pomena. Kovačevi poetski principi izvirajo iz njegove predanosti resničnosti, bralcu in literarnemu besedilu. Od svoje prve objave je Malvina pritegnila pozornost široke strokovne in neprofesionalne bralske javnosti predvsem kot pripoved o srbsko-hrvaškem sovraštvu in kot prvi lezbični roman v južnoslovanskem svetu. Ne le pripovedna forma, tudi tema Kovačev tekst odpira za tiste oblike družbenega življenja, ki so marginalizirane in izpostavljene zatiranju. Kovač ironično očrtuje kodekse socio-kulturnih okolij in oblik družbene moči in tako prinaša parodično sliko družbene moralnosti, utemeljeno na subverzivnih mehanizmih in parcialnih resnicah. Družbeni, politični, ideološki, religiozni, etični in estetski modeli sveta, skozi katere je mogoče opazovati realnost, se vzpostavljajo v pomanjkanju emancipirane akcije in izbire. Predmet posodobljenega opisa v pričujočem delu so prepovedi in omejitve, stereotipi in tabuji ter na drugi strani transgresija (prehajanje meja) vseh prepovedi"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-K5RXOFWO","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-K5RXOFWO"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-K5RXOFWO/2555a8b0-bf45-49aa-9f10-6003645cfdaf/PDF"},"edm:rights":{"@rdf:resource":"http://rightsstatements.org/vocab/InC/1.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovensko društvo za primerjalno književnost"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-K5RXOFWO/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-K5RXOFWO"}}}}