57 KB809 KB53 KB197820252006Kernev-Štrajn, Jelka18 straništevilka:2letnik:29str. 39-55ISSN:0351-1189COBISSID:33400930URN:URN:NBN:SI:doc-K367MIRXslSlovensko društvo za primerjalno književnostPrimerjalna književnostalegorijaliterarna teorijaliterary theorypoststrukturalizemretorične figureRomanticismromantikasimboltropiAli je alegorija alternativa simbolu?| prispevek k tropološki problematiki|Is allegory alternative to symbol? Contribution to the comprehension of tropes. The use of the terms allegory and symbol was constantly changing in the early periods of literary history. The article argues that later, in the 19th and 20th century, the use of these terms became less a matter of rhetorical figures than of a fundamental attitude towards the world, and shows how Romanticism played a vital role in this process. Goethe and Coleridge were the first to introduce antithetic and evaluative statements into discussions of allegory and symbol, since they distinctly privileged symbol over allegory. Their attitudes stalled the development of a new perception of rhetorical strategies long into the 20th century. The theory of post-structuralism (Paul de Man) has finally shaken this evaluative definition of the two terms with new insights into Romantic poetry and poeticsV zgodnejših literarnozgodovinskih obdobjih je raba izrazov, kot sta alegorija in simbol, zelo nihala. Članek zagovarja tezo, da je pozneje, v 19. in 20. stoletju, ta raba postajala čedalje manj stvar tropov in čedalje bolj manifestacija določene naravnanosti do sveta. V tem procesu je romantika odigrala ključno vlogo. Goethe in Coleridge sta pojma začela obravnavati antitetično in vrednotno, saj sta simbolu pripisala očitno prednost pred alegorijo. Njuna opredelitev se je obdržala dolgo v 20. stoletje. Dokončno je to vrednotno zaznamovano razmerje zamajala teorija poststrukturalizma (Paul de Man) z novimi uvidi v romantično poezijo in poetikoTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlovensko društvo za primerjalno književnost