<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-JZYSB591/3004546a-5062-4825-8edf-3db1c4df663c/HTML"><dcterms:extent>83 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-JZYSB591/c9eebc11-630b-4d77-8599-779ab026a8bf/PDF"><dcterms:extent>571 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-JZYSB591/e405d79b-3e20-489f-86d0-d170756d06cc/TEXT"><dcterms:extent>81 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1978-2025"><edm:begin xml:lang="en">1978</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-JZYSB591"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-EVBFLKN7" /><dcterms:issued>2004</dcterms:issued><dc:creator>Žakelj, Špela</dc:creator><dc:format xml:lang="sl">številka:1</dc:format><dc:format xml:lang="sl">letnik:27</dc:format><dc:format xml:lang="sl">str. 107-134</dc:format><dc:identifier>ISSN:0351-1189</dc:identifier><dc:identifier>COBISSID:25707874</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-JZYSB591</dc:identifier><dc:language>sl</dc:language><dc:publisher xml:lang="sl">Slovensko društvo za primerjalno književnost</dc:publisher><dcterms:isPartOf xml:lang="sl">Primerjalna književnost</dcterms:isPartOf><dc:subject xml:lang="sl">dramsko besedilo</dc:subject><dc:subject xml:lang="sl">gledališka semiotika</dc:subject><dc:subject xml:lang="sl">gledališka uprizoritev</dc:subject><dc:subject xml:lang="sl">Jovanović, Dušan, 1939-</dc:subject><dc:subject xml:lang="sl">Shakespeare, William, 1564-1616</dc:subject><dc:subject xml:lang="sl">teorija drame</dc:subject><dc:subject rdf:resource="http://www.wikidata.org/entity/Q692" /><dcterms:temporal rdf:resource="1978-2025" /><dc:title xml:lang="sl">Novejše metode proučevanja dramskega teksta in uprizoritve|</dc:title><dc:description xml:lang="sl">A number of different methods can be used to analyze dramatic texts, structuralism and new historicism being two of them. Contrary to the method of new historicism, structuralism can include dimension of stage representation, while new historicism focuses only on text itself and tends to discover hidden features of the era in which the text was originally written. Methods of analyzing dramatic texts are better known than those that are used to analyze theatrical representations. Using semiotic method Patrice Pavis developed vectorisation as an independent procedure for analyzing theatrical representations, which doesn't focus only on verbal parts of representation, but also includes its figural dimensions. By applying procedures developed by modern methods on Shakespeare's tragedy Romeo and Juliet and on the case of its theatrical application by Dusan Jovanović, new dimensions of the text and its representation can be obtained</dc:description><dc:description xml:lang="sl">Pristop k analizi dramskega besedila ponujajo številne metode, med njimi tudi strukturalistična in novohistorična. Prva lahko upošteva tudi razsežnost gledališke uprizoritve, medtem ko se druga posveča izključno tekstu in v njem odkriva prikrite značilnosti dobe, v katerem je delo nastalo. V nasprotju z metodami za analizo dramskega besedila so metode za analizo gledališke uprizoritve manj raziskane. V okviru semiotične metode je Patrice Pavis razvil vektorizacijo kot samostojen postopek za analizo gledališke uprizoritve,ki se ne osredotoča le na verbalne dele predstave, temveč omogoča tudi ponazoritev figuralnega. Aplikacija postopkov, ki so jih razvile novejše metode, na primeru Shakespearove tragedije Romeo in Julija ter na primeru njene odrske konkretizacije v režiji Dusana Jovanovića, omogoča prikaz novih razsežnosti tako besedila kot tudi uprizoritve</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-JZYSB591"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-JZYSB591" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-JZYSB591/c9eebc11-630b-4d77-8599-779ab026a8bf/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Slovensko društvo za primerjalno književnost</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-JZYSB591/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-JZYSB591" /></ore:Aggregation></rdf:RDF>