131 KB34 KB199120252014Dickov, Vesna Z.številka:22str. 91-104ISSN:0353-9660COBISSID:56636258URN:URN:NBN:SI:doc-JW50OFMMesZnanstvena založba Filozofske fakulteteVerba hispanicaGarcía Márquez, Gabriellatinskoameriška književnostmagični realizemrecepcijasrbska literarna kritikaLa crítica de la obra narrativa de Gabriel García Márquez: en las revistas literarias serbias|Since the Serbian translation of the novel One Hundred Years of Solitude appeared in 1973, the narrative works of Gabriel García Márquez have continued to interest Serbian critics. After an initial break with readers' expectations, criticism of the magical realism and other aspects of the prose of García Márquez soon (from 1975) began to develop in Serbia, and intensified in the later seventies of the last century as well as at the end of the first decade of the 21st century, when a series of essays, reviews, articles and studies were published on the novels, stories, reportages, essays and memoirs of García Márquez, including his journalistic work. Half of the texts written by Serbian critics for literary journals came out in Belgrade, especially in Književna reč (The Literary Word), the most prolific authors being Radomir Ivanović and Branko Anđić. The judgment of Serbian critics, presented in the literary magazines, which was based frequently on the latest advances in narratology, genealogy and comparative literature, has contributed greatly to the shaping of readers' expectations not only regarding Gabriel García Márquez's prose but also new Latin American narrative in generalSrbski kritiki vse od izida prevoda romana Sto let samote (1973) z zanimanjem spremljajo delo Gabriela Garcíe Márqueza. Ko so bralci prebrali ta roman, se je začela interpretacija magičnega realizma in drugih vidikov njegove proze zelo hitro razvijati, okrepila pa se je v sedemdesetih letih preteklega stoletja in v prvem desetletju 21. stoletja, ko je bila objavljena vrsta esejev, kritik, člankov in študij o romanih, zgodbah, reportažah, esejih in spominih Garcíe Márqueza, celo o njegovem novinarskem delu. Polovica besedil, ki so jih napisali srbski kritiki za periodične literarne publikacije, je izšla v Beogradu, predvsem v reviji Književna reč, največ sta jih napisala Radomir Ivanović in Branko Anđić. Mnenje srbske kritike v literarnih revijah, pogosto oprto na zadnje izsledke naratologije, genealogije in primerjalne književnosti, je v veliki meri prispevalo k oblikovanju obzorja pričakovanj bralcev, ne le glede proznega dela Gabriela Garcíe Márqueza, ampak tudi novega hispanoameriškega pripovedništva nasplohTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Filozofska fakulteta