<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-JSBWONI7</identifier><date>1999</date><creator>Seraval, Dario</creator><relation>documents/doc/J/URN_NBN_SI_doc-JSBWONI7_001.pdf</relation><relation>documents/doc/J/URN_NBN_SI_doc-JSBWONI7_001.txt</relation><format format_type="issue">197</format><format format_type="volume">27</format><format format_type="type">article</format><format format_type="extent">str. 187-210</format><identifier identifier_type="ISSN">0351-4285</identifier><identifier identifier_type="COBISSID">3487049</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-JSBWONI7</identifier><language>slv</language><publisher>Študentska založba</publisher><source>Časopis za kritiko znanosti</source><rights>InC</rights><subject language_type_id="slv">fantazma</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="eng">music</subject><subject language_type_id="slv">psihoanaliza</subject><subject language_type_id="slv">subjekt</subject><subject language_type_id="slv">užitek</subject><title>Užitek in pomen glasbe</title></Record>