{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-JP59XYR7/c6d898be-8c78-497e-b0b4-a5e0914cdc21/PDF","dcterms:extent":"331 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-JP59XYR7/2fa1dc1c-c779-4e00-b015-eb88678606bd/TEXT","dcterms:extent":"0 KB"}],"edm:TimeSpan":{"@rdf:about":"2015-2025","edm:begin":{"@xml:lang":"en","#text":"2015"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-JP59XYR7","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE"},{"@xml:lang":"sl","#text":"Amfiteater (Ljubljana)"}],"dcterms:issued":"2022","dc:creator":"Kozak, Krištof Jacek","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:10"},{"@xml:lang":"sl","#text":"str. 114-135"}],"dc:identifier":["DOI:10.51937/Amfiteater-2022-1/114-135","COBISSID_HOST:114755331","ISSN:1855-4539","URN:URN:NBN:SI:doc-JP59XYR7"],"dc:language":"sl","dc:publisher":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut"},"dc:subject":[{"@xml:lang":"sl","#text":"Antigona"},{"@xml:lang":"en","#text":"Antigone"},{"@xml:lang":"en","#text":"borders"},{"@xml:lang":"sl","#text":"Elfriede Jelinek"},{"@xml:lang":"sl","#text":"meje"},{"@xml:lang":"sl","#text":"migracije"},{"@xml:lang":"en","#text":"migration"},{"@xml:lang":"en","#text":"post-postdramatic theatre"},{"@xml:lang":"sl","#text":"postpostdramsko gledališče"},{"@xml:lang":"sl","#text":"Stefan Hertmans"},{"@xml:lang":"sl","#text":"tragedija"},{"@xml:lang":"en","#text":"tragedy"},{"@xml:lang":"sl","#text":"Vinko Möderndorfer"}],"dcterms:temporal":{"@rdf:resource":"2015-2025"},"dc:title":{"@xml:lang":"sl","#text":"Postpostdramske reinkarnacije klasičnih tragedij| Jelinek, Hertmans, Möderndorfer|"},"dc:description":[{"@xml:lang":"sl","#text":"The post-postdramatic period is characterised by a flirtation with key forms of world drama, such as ancient and Elizabethan tragedies, and their themes, which are applied to thoroughly contemporary problems. In this regard, three of the many texts can be selected: E. Jelinek’s Die Schutzbefohlenen, S. Hertmans’s Antigone in Molenbeek and V. Möderndorfer’s Romeo and Juliet Were Refugees. In addition to their relationship to antiquity, all three plays are linked by a thematic thread: migration and the unfortunate fate of refugees. It turns out that the only optimistic version of this theme came from Aeschylus, and all three contemporary plays could easily be classified as tragedies. Jelinek’s play is based on an actual event from 2012 when a group of migrants stormed the Votive Church in Vienna in protest and demanded decent asylum treatment for themselves and others like them. Jelinek exposes the whole ethical decay of Europe, which hides behind high-flying ideals of humanitarianism but does the exact opposite. In this case, it is the relationship between migrants – the real foreigners – and Europeans. Hertmans introduces a foreigner, who is already a fully-fledged citizen of Europe, only to complicate his Antigone with the classic story of the burial of a dead brother, who in this case is a terrorist. Möderndorfer takes the final step in this direction by treating economically deprived European citizens as migrants, i.e., as foreigners. None of the three plays has a way out, and the fate of the everyman ends tragically"},{"@xml:lang":"sl","#text":"Tudi za postpostdramski čas je značilno spogledovanje s ključnimi formami svetovne dramatike, kot so antične in elizabetinske tragedije, ter z njihovimi temami, ki jih aplicira na popolnoma sodobne probleme. Izmed mnogih besedil je mogoče izbrati tri: Die Schutzbefohlenen Elfriede Jelinek, Antigona v Molenbeeku Stefana Hertmansa ter Romeo in Julija sta bila begunca Vinka Möderndorferja. Poleg razmerja do antike povezuje vse tri drame še tematska rdeča nit: migracije ter z njimi povezane nesrečne usode beguncev. Izkaže se, da je edina optimistična različica te teme nastala pri Ajshilu, vse tri sodobne drame pa bi bilo mogoče brez težav uvrstiti med tragedije. Takšna je drama Jelinekove, ki je nastala po resničnem dogodku iz leta 2012, ko je skupina migrantov protestno vdrla v Votivno cerkev na Dunaju in zahtevala zase in za sebi podobne človeka dostojno azilno obravnavo. Jelinek izkaže ves etični razkroj Evrope, ki se skriva za visokoletečimi ideali človekoljubja, dejansko pa ravna prav nasprotno. V tem primeru gre za razmerje med migranti, ki so pravi tujci, in pa Evropejci. Tujca, ki je že polnopraven državljan Evrope, predstavi Hertmans, le da svojo »Antigono« zaplete še s klasično zgodbo pokopa mrtvega brata, ki je v tem primeru terorist. Ta Antigona je še vedno tujka, a tudi že državljanka Evrope. Zadnji korak v tej smeri naredi Möderndorfer, ki pa kot migrante, torej kot tujce, obravnava ekonomsko ogrožene Evropejce. Nobena od treh dram nima izhoda in slehernikova usoda se konča tragično"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-JP59XYR7","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-JP59XYR7"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-JP59XYR7/c6d898be-8c78-497e-b0b4-a5e0914cdc21/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slovenski gledališki inštitut (SLOGI)"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-JP59XYR7/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-JP59XYR7"}}}}