<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-JKCZQYHO</identifier><date>2019</date><creator>Toporišič, Tomaž</creator><relation>documents/doc/J/URN_NBN_SI_doc-JKCZQYHO_001.pdf</relation><relation>documents/doc/J/URN_NBN_SI_doc-JKCZQYHO_001.txt</relation><format format_type="issue">3</format><format format_type="volume">40</format><format format_type="type">article</format><format format_type="extent">str. 261-276, 308-309</format><identifier identifier_type="ISSN">0353-4510</identifier><identifier identifier_type="COBISSID_HOST">46094125</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-JKCZQYHO</identifier><language>eng</language><publisher>Filozofski inštitut ZRC SAZU</publisher><source>Filozofski vestnik</source><rights>BY-NC-ND</rights><subject language_type_id="eng">aesthetics</subject><subject language_type_id="eng">art</subject><subject language_type_id="slv">Badiou, Alain</subject><subject language_type_id="eng">criticism</subject><subject language_type_id="slv">Derrida, Jacques</subject><subject language_type_id="slv">estetika</subject><subject language_type_id="slv">filozofija umetnosti</subject><subject language_type_id="slv">kritika</subject><subject language_type_id="slv">likovna umetnost</subject><subject language_type_id="eng">philosophy of art</subject><title>Is art itself a criticism?</title><title>linking Wilde to Derrida, Ranciere and Badiou</title></Record>