2053 KB46 KB19512024-20251993Murovec, Barbaraštevilka:29letnik:29str. 133-148, XLI-LIIISSN:0351-224XCOBISSID:3599405URN:URN:NBN:SI:doc-JJJ6BQPYenslSlovensko umetnostnozgodovinsko društvoZbornik za umetnostno zgodovino (Nova vrsta)18.st.art of paintingDornavafreskegradoviJabljeslikarstvoSloveniaSlovenijaZapriceAlegorija petih čutov na freskah v gradu Jablje in na slikanih tapetah iz gradov Dornava in Zaprice| Allegories of the five senses in the frescoes at the castle of Jablje and the painted wall coverings from Dornava and Zaprice|The article presents graphic models and iconographic sources of the frescoes at the castle of Jablje and the painted wall coverigs from Dornava and Zaprice. The allegories of the Five senses represented in these three Slovenian painted series where modelled on graphic prints by Gottfried Bernhard Götz. The Dornava painted wallcoverings, for which the graphic models have been established with certainty, were painted by combining individual figures and compositions from Götz's prints as well as prints modelled on paintings by the French Rococo painter Nicolas LancretV prispevku so predstavljene grafične predloge in ikonografski viri za freske v gradu Jablje in slikane tapete iz gradov Dornava in Zaprice. Na teh treh slovenskih ciklih, ki so vsi nastali z naslonitvijo na grafično serijo petih čutov Gottfrieda Bernharda Götza, je naslikana alegorija petih čutov. Dornavske slikane tapete, za katere so znane vse grafične predloge, so nastale s povzemanjem posameznih figur in kompozicij iz Götzovih grafik in grafik, nastalih po slikah francoskega rokokojskega slikarja Nicolasa LancretaTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlovensko umetnostnozgodovinsko društvo