<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-JIFGMNWA</identifier><date>2010</date><creator>Berlot, Uršula</creator><relation>documents/doc/J/URN_NBN_SI_doc-JIFGMNWA_001.pdf</relation><relation>documents/doc/J/URN_NBN_SI_doc-JIFGMNWA_001.txt</relation><format format_type="issue">11</format><format format_type="volume">74</format><format format_type="type">article</format><format format_type="extent">str. 1391-1414</format><identifier identifier_type="ISSN">0038-0482</identifier><identifier identifier_type="COBISSID">2791790</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-JIFGMNWA</identifier><language>slv</language><publisher>KUD Sodobnost International</publisher><source>Sodobnost (1963)</source><rights>InC</rights><subject language_type_id="slv">20.st.</subject><subject language_type_id="slv">Duchamp, Marcel, 1887-1968</subject><subject language_type_id="slv">francoska umetnost</subject><subject language_type_id="slv">teorija umetnosti</subject><title>(nepodobna podobnost pri Duchampu)</title><title>Prostor infratanke razlike: gospod Marcel in gospa Sélavy</title></Record>