<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-JFXXII4T</identifier><date>2015</date><creator>Žunkovič, Igor</creator><relation>documents/doc/J/URN_NBN_SI_doc-JFXXII4T_001.pdf</relation><relation>documents/doc/J/URN_NBN_SI_doc-JFXXII4T_001.txt</relation><format format_type="issue">4</format><format format_type="volume">63</format><format format_type="type">article</format><format format_type="extent">str. 377-388</format><identifier identifier_type="ISSN">0350-6894</identifier><identifier identifier_type="COBISSID">59734114</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-JFXXII4T</identifier><language>slv</language><publisher>Slavistično društvo Slovenije</publisher><source>Slavistična revija</source><rights>BY</rights><subject language_type_id="slv">postdramsko gledališče</subject><subject language_type_id="slv">Semenič, Simona, 1975-</subject><subject language_type_id="eng">Slovene literature</subject><subject language_type_id="slv">slovenska dramatika</subject><subject language_type_id="slv">slovenska književnost</subject><subject language_type_id="slv">utelešena vednost</subject><title>24ur Simone Semenič</title><title>Učinek utelešene vednosti v sodobni dramatiki</title></Record>