{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-J6O36USF/1ec2b458-c2c6-45d5-bfa6-8ae707cbab13/PDF","dcterms:extent":"466 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-J6O36USF/22fc70ec-84a8-400f-a699-9a8de992b37c/TEXT","dcterms:extent":"57 KB"}],"edm:TimeSpan":{"@rdf:about":"1993-2025","edm:begin":{"@xml:lang":"en","#text":"1993"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-J6O36USF","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-9DWBYEQX"},{"@xml:lang":"sl","#text":"Acta Histriae"}],"dcterms:issued":"2021","dc:creator":["Majsova, Natalija","Šepetavc, Jasmina"],"dc:format":[{"@xml:lang":"sl","#text":"številka:2"},{"@xml:lang":"sl","#text":"letnik:29"},{"@xml:lang":"sl","#text":"str. 407-426"}],"dc:identifier":["DOI:10.19233/AH.2021.18","ISSN:1318-0185","COBISSID:93821187","URN:URN:NBN:SI:doc-J6O36USF"],"dc:language":"en","dc:publisher":[{"@xml:lang":"sl","#text":"Inštitut IRRIS za raziskave, razvoj in strategije družbe, kulture in okolja"},{"@xml:lang":"sl","#text":"Zgodovinsko društvo za Južno Primorsko"}],"dc:subject":[{"@xml:lang":"sl","#text":"kulturni spomin"},{"@xml:lang":"sl","#text":"nostalgija"},{"@xml:lang":"sl","#text":"oblikovanje identitet"},{"@xml:lang":"sl","#text":"slovenska nacionalna identiteta"},{"@xml:lang":"sl","#text":"slovenski film"},{"@xml:lang":"sl","#text":"socializem"},{"@xml:lang":"sl","#text":"travma"}],"dcterms:temporal":{"@rdf:resource":"1993-2025"},"dc:title":{"@xml:lang":"sl","#text":"Constructions of post-Yugoslav identities in contemporary Slovenian film|"},"dc:description":[{"@xml:lang":"sl","#text":"This article discusses the construction of Slovenian national identity in relation to memories of the period of Socialist Yugoslavia and its dissolution in the context of contemporary Slovenian cinematography (1991–2021). The dynamic of forgetting and remembering Socialism and Yugoslav identity is presented with the help of an in-depth analysis of representations, reception and contexts of production contexts of select representative cases: Outsider (1997), the most popular Slovenian feature film of the 1990s, the mockumentary Houston, We Have a Problem! (2016) and the co-production Parada (2011). The article demonstrates that films are repositories and re-examiners of national and regional policies, trauma, and reinterpretations of history and identities. As such, they are important objects for analyzing processes of remembering memory processes and transformations of the attitudes towards the Slovenian recent past"},{"@xml:lang":"sl","#text":"Članek naslavlja vprašanje konstrukcije slovenske nacionalne identitete v razmerju do spominjanja na obdobje socialistične Jugoslavije in njenega razpada v kontekstu sodobne slovenske kinematografije (1991–2021). Naslanjajoč se na pregled slovenskih kulturnih politik, vezanih na filmsko produkcijo v izbranem obdobju, preizprašava simbolno mesto zgodovine in posebej zgodovine, vezane na obdobje socializma, v sodobnem slovenskem filmu. Dinamiko pozabljanja in spominjanja na socializem in na jugoslovansko identiteto nadalje predstaviva prek poglobljene analize izbranih reprezentativnih primerov – v devetdesetih letih najbolj gledanega slovenskega celovečerca Outsider (1997), mockumentarca Houston, imamo problem! (2016) in koprodukcijskega filma Parada (2011). Analizo reprezentacij poveževa z analizo kritiške in popularne nacionalne in mednarodne odmevnosti izbranih del, pri tem pa filme obravnavava kot odlagališča in preizpraševalce nacionalnih in regionalnih politik, travm, reinterpretacij zgodovine in emocij, ki niso zakodirane samo v samih tekstih, temveč tudi v kontekstu praks, ki obkrožajo njihovo produkcijo in recepcijo (cf. Erll 2009). Vsi trije izbrani primeri pokažejo, da je film pomembno mesto refleksije in konstrukcije nedavne Slovenske preteklosti. Vendar pa opažena filmska jugonostalgija še zdaleč ni enoznačna, temveč skozi tri desetletja neodvisnosti Slovenije prevzema raznolike pomene – od hrepenenja po nekdanjem “bratstvu”, do travme transformacije in nenazadnje parodične distance do jugoslovanske preteklosti"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-J6O36USF","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-J6O36USF"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-J6O36USF/1ec2b458-c2c6-45d5-bfa6-8ae707cbab13/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-nc/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Univerza na Primorskem, Znanstveno-raziskovalno središče Koper"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-J6O36USF/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-J6O36USF"}}}}