<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-J1BUVKMQ/c38d4779-0882-4253-9ada-d836e04e4734/HTML"><dcterms:extent>77 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-J1BUVKMQ/cd712e92-8613-4c12-b71a-a79a900e6a77/PDF"><dcterms:extent>489 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-J1BUVKMQ/cc6d4d58-ca99-49f5-a30e-db280aec02b4/TEXT"><dcterms:extent>76 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1978-2025"><edm:begin xml:lang="en">1978</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-J1BUVKMQ"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-EVBFLKN7" /><dcterms:issued>2000</dcterms:issued><dc:creator>Mihelj, Sabina</dc:creator><dc:format xml:lang="sl">številka:2</dc:format><dc:format xml:lang="sl">letnik:23</dc:format><dc:format xml:lang="sl">str. 59-83</dc:format><dc:identifier>ISSN:0351-1189</dc:identifier><dc:identifier>COBISSID:14307426</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-J1BUVKMQ</dc:identifier><dc:language>sl</dc:language><dc:publisher xml:lang="sl">Slovensko društvo za primerjalno književnost</dc:publisher><dcterms:isPartOf xml:lang="sl">Primerjalna književnost</dcterms:isPartOf><dc:subject xml:lang="sl">Baudelaire, Charles, 1821-1867</dc:subject><dc:subject xml:lang="sl">francoska književnost</dc:subject><dc:subject xml:lang="en">French literature</dc:subject><dc:subject xml:lang="sl">lirika</dc:subject><dc:subject xml:lang="sl">Mallarmé, Stéphane, 1842-1898</dc:subject><dc:subject xml:lang="sl">numinozno</dc:subject><dc:subject xml:lang="sl">Rimbaud, Arthur, 1854-1891</dc:subject><dc:subject xml:lang="sl">simbolizem</dc:subject><dc:subject xml:lang="sl">Verlaine, Paul, 1844-1896</dc:subject><dc:subject rdf:resource="http://www.wikidata.org/entity/Q6689" /><dcterms:temporal rdf:resource="1978-2025" /><dc:title xml:lang="sl">Izrekanje numinoznega pri utemeljiteljih simbolistične lirike|</dc:title><dc:description xml:lang="sl">The voicing of numinous experience in the founders of symbolic lyricism. - The starting thesis of this article is that a specific language of poetry, as developed by symbolist poets, enabled poetry to become a privileged means of uttering modern religious (numinous, to be more precise) experience. An analysis of the interaction between the content and form of poems by four authors - Charles Baudelaire, Paul Verlaine, Arthur Rimbaud and Stéphane Mallarmé - shows that especially a (symbolist) use of a symbol, and the approach of poetry to music are important for the ability to express a numinous experience or object. In addition, the article deals with so-called sensual unreality (typical of Rimbaud's poetry) and pure poetry (typical of Mallarmé's poetry) and establishes how and why the symbolist poetry, which at first made an attempt to put into words numinous objects, was transformed intoa radical reflection on the nature of human realisation and utterance</dc:description><dc:description xml:lang="sl">Izhodiščna teza pričujoče razprave je, da je specifični pesniški jezik, kakršnega so razvili simbolistični pesniki, omogočil poeziji postati privilegirano sredstvo izrekanja modernega religioznega (natančneje, numinoznega) doživetja. Analiza interakcije med vsebino in formo pesniških tekstov štirih avtorjev - Charlesa Baudelaira, Paula Verlaina, Arthurja Rimbauda in Stéphana Mallarméja - pokaže, da mednje sodita v prvi vrsti (simbolistična) raba simbola in približevanje poezije glasbi, poleg njiju pa sta v članku obravnavani še t.i. čutna irealnost (značilna za Rimbaudovo poezijo) in čista poezija (značilna za Mallarméjevo poezijo)</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-J1BUVKMQ"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-J1BUVKMQ" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-J1BUVKMQ/cd712e92-8613-4c12-b71a-a79a900e6a77/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Slovensko društvo za primerjalno književnost</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-J1BUVKMQ/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-J1BUVKMQ" /></ore:Aggregation></rdf:RDF>