<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-IXQT9HO3</identifier><date>2022</date><creator>Apostolova Baskar, Ivanka</creator><relation>documents/doc/I/URN_NBN_SI_doc-IXQT9HO3_001.pdf</relation><relation>documents/doc/I/URN_NBN_SI_doc-IXQT9HO3_001.txt</relation><format format_type="issue">1</format><format format_type="volume">10</format><format format_type="type">article</format><format format_type="extent">str. 346-357</format><identifier identifier_type="DOI">10.51937/Amfiteater-2022-1/348-355</identifier><identifier identifier_type="COBISSID_HOST">114942211</identifier><identifier identifier_type="ISSN">1855-4539</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-IXQT9HO3</identifier><language>eng</language><publisher publisher_location="Ljubljana">Slovenski gledališki inštitut</publisher><source>Amfiteater (Ljubljana)</source><rights>BY</rights><subject language_type_id="slv">2010-2020</subject><subject language_type_id="eng">2010-2021</subject><subject language_type_id="eng">contemporary domestic playwrights</subject><subject language_type_id="eng">local theatres in crisis</subject><subject language_type_id="slv">lokalna gledališča v krizi</subject><subject language_type_id="eng">Macedonian drama</subject><subject language_type_id="slv">makedonska dramatika</subject><subject language_type_id="slv">močni ženski glasovi</subject><subject language_type_id="slv">sodobna domača dramatika</subject><subject language_type_id="eng">strong female voices</subject><title>Theatre control policy or why after Goran Stefanovski and Dejan Dukovski, no one is known outside the borders of the Macedonian theatre? (2010-2021)</title></Record>