<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-IQ5109F0/cf539755-ab77-4aef-a672-16209e26b519/PDF"><dcterms:extent>476 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-IQ5109F0/fb991852-4dea-4de0-8908-073d22ee62d5/TEXT"><dcterms:extent>0 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1984-2025"><edm:begin xml:lang="en">1984</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-IQ5109F0"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-LRR6C6LY" /><dcterms:issued>2025</dcterms:issued><dc:creator>Bobnič, Robert</dc:creator><dc:creator>Kostanjevec, Jan</dc:creator><dc:format xml:lang="sl">številka:108/109</dc:format><dc:format xml:lang="sl">letnik:41</dc:format><dc:format xml:lang="sl">str. 199-225</dc:format><dc:identifier>ISSN:0352-3608</dc:identifier><dc:identifier>DOI:10.51936/dr.41.108-109.199-225</dc:identifier><dc:identifier>COBISSID_HOST:260778755</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-IQ5109F0</dc:identifier><dc:language>en</dc:language><dc:publisher xml:lang="sl">Fakulteta za družbene vede</dc:publisher><dc:publisher xml:lang="sl">Slovensko sociološko društvo</dc:publisher><dcterms:isPartOf xml:lang="sl">Družboslovne razprave</dcterms:isPartOf><dc:subject xml:lang="sl">community</dc:subject><dc:subject xml:lang="sl">community detection</dc:subject><dc:subject xml:lang="sl">detekcija skupnosti</dc:subject><dc:subject xml:lang="sl">Serbwave</dc:subject><dc:subject xml:lang="sl">Skupnost</dc:subject><dc:subject xml:lang="sl">vaporwave</dc:subject><dc:subject xml:lang="sl">You Tube</dc:subject><dc:subject xml:lang="sl">YouTube (spletno mesto)</dc:subject><dc:subject xml:lang="sl">Yugowave</dc:subject><dcterms:temporal rdf:resource="1984-2025" /><dc:title xml:lang="sl">Yugowave and Serbwave on Youtube| audience analysis by community detection|</dc:title><dc:description xml:lang="sl">The article examines the phenomenon of Yugowave, including its offshoots, on the YouTube platform. As an online audiovisual genre, which originated from vaporwave and eventually developed independently, it serves as a remediation of collective memory, featuring nostalgic references to the era of the Socialist Federal Republic of Yugoslavia, or the war conflicts that followed its dissolution. Drawing on data from 426 videos and 14,344 comments, we examine the genre’s evolution and map audience communities using the Leiden method on a bipartite network linking commenters to their public YouTube subscriptions. The analysis suggests that the war aesthetics of Serbwave prevail among the videos and its commenters may be described as a wide international audience, predominately holding interests in history, militarism and gaming</dc:description><dc:description xml:lang="sl">Članek obravnava pojav Yugowava, vključno z derivati, na spletni platformi YouTube. Z uporabo nostalgičnih referenc na obdobje Socialistične federativne republike Jugoslavije ali na vojne konflikte, ki so sledili njenemu razpadu, ta spletni avdiovizualni žanr, ki izvira iz vaporwava in se je sčasoma razvil po svoje, izvaja remediacijo kolektivnega spomina. Na podlagi podatkov iz 426 videoposnetkov in 14.344 komentarjev preučujemo razvoj žanra ter mapiramo skupnosti gledalcev z uporabo metode Leiden na bipartitnem omrežju, ki povezuje komentatorje z njihovimi javno dostopnimi naročninami na YouTube kanale. Analiza kaže, da med videoposnetki prevladuje žanr vojne estetike Serbwave, komentatorji pa predstavljajo internacionalno občinstvo s prevladujočimi preferencami za zgodovino, militarizem in igričarstvo</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-IQ5109F0"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-IQ5109F0" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-IQ5109F0/cf539755-ab77-4aef-a672-16209e26b519/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Slovensko sociološko društvo</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-IQ5109F0/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-IQ5109F0" /></ore:Aggregation></rdf:RDF>