<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-IO5UHTAN/4b8521e3-804f-4190-8c84-3a32e02058b4/PDF"><dcterms:extent>319 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-IO5UHTAN/07c3093a-4793-48a9-bbf1-bd18a6470974/TEXT"><dcterms:extent>52 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-IO5UHTAN/51603abb-e9f1-4686-ac9b-c2d520f3402e/PDF"><dcterms:extent>217 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-IO5UHTAN/a4ca0202-867b-460f-b20c-ccce05a8509a/TEXT"><dcterms:extent>7 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="2015-2025"><edm:begin xml:lang="en">2015</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-IO5UHTAN"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-I624P2HE" /><dcterms:issued>2016</dcterms:issued><dc:creator>Dobovšek, Zala</dc:creator><dc:creator>Šorli, Maja</dc:creator><dc:format xml:lang="sl">številka:2</dc:format><dc:format xml:lang="sl">letnik:4</dc:format><dc:format xml:lang="sl">str. 14-35, 140</dc:format><dc:identifier>ISSN:1855-4539</dc:identifier><dc:identifier>ISSN:1855-850X</dc:identifier><dc:identifier>COBISSID:239685632</dc:identifier><dc:identifier>COBISSID:249943040</dc:identifier><dc:identifier>URN:URN:NBN:SI:DOC-IO5UHTAN</dc:identifier><dc:language>sl</dc:language><dcterms:isPartOf xml:lang="sl">Amfiteater (Ljubljana)</dcterms:isPartOf><dc:subject xml:lang="sl">avtorski projekti</dc:subject><dc:subject xml:lang="sl">Kralj Ubu</dc:subject><dc:subject xml:lang="sl">kratkočasno gledališče</dc:subject><dc:subject xml:lang="sl">seksizem</dc:subject><dc:subject xml:lang="sl">snovalno gledališče</dc:subject><dc:subject xml:lang="sl">sodobno gledališče</dc:subject><dc:subject xml:lang="sl">uprizoritve</dc:subject><dcterms:temporal rdf:resource="2015-2025" /><dc:title xml:lang="sl">Kralj Ubu - šok snovalnega gledališča v nacionalni instituciji|</dc:title><dc:description xml:lang="sl">V razpravi obravnavava predstavo Kralj Ubu, uprizorjeno v sezoni 2015/2016 na velikem odru SNG Drama Ljubljana, in sicer v ožjem (predstava sama po sebi) in širšem (mesto in čas uprizoritve) kontekstu ter glede na medijske odzive, ki jih je uprizoritev sprožila. Začrtava pojem snovalnega gledališča (ang. devised theatre) in opiševa načine, na katere se razlikuje od dramskega gledališča, ki v Sloveniji prevladuje. Meniva, da je Kralj Ubu prav zaradi principov snovalnega gledališča in privzemanja žanra cool fun na odru SNG Drama povzročil številne medijske odzive in je hkrati pomemben presežek v slovenski uprizoritveni produkciji. Razprava opozori tudi na temeljno pomanjkljivost predstave (konservativnost spolnih vlog) in v prilogi predstavi poskus fabule snovalne uprizoritve</dc:description><dc:description xml:lang="sl">The article deals with the production of Ubu the King, performed in the 2015/2016 season on the Main Stage of the Slovenian National Theatre (SNT) Drama Ljubljana, and discusses the production%s narrower (the production itself) and wider contexts (the place and time of the production) as well as the media reactions it triggered. The article outlines the concept of devised theatre and describes how it differs from the dramatic theatre prevalent in Slovenia. The authors believe that precisely because it adopted the principles of devised theatre and the "Cool Fun" genre on the stage of SNT Drama, the production of Ubu the King not only sparked numerous media responses but also marks an important achievement in the Slovenian performing arts production. The discussion also points out the fundamental deficiency of the production (conservative gender roles) and presents the storyline of this production as an attempt at historising devised theatre</dc:description><dc:description xml:lang="sl">Priloga - poskus obnove uprizoritve Kralj Ubu</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-IO5UHTAN"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-IO5UHTAN" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-IO5UHTAN/4b8521e3-804f-4190-8c84-3a32e02058b4/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Slovenski gledališki inštitut (SLOGI)</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-IO5UHTAN/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-IO5UHTAN" /></ore:Aggregation></rdf:RDF>