<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-I2Y618AI</identifier><date>2015</date><creator>Šegota Lah, Nataša</creator><relation>documents/doc/I/URN_NBN_SI_doc-I2Y618AI_001.pdf</relation><relation>documents/doc/I/URN_NBN_SI_doc-I2Y618AI_001.txt</relation><format format_type="issue">2</format><format format_type="volume">9</format><format format_type="type">article</format><format format_type="extent">str. 215-230</format><identifier identifier_type="ISSN">1854-9632</identifier><identifier identifier_type="ISSN">2350-4218</identifier><identifier identifier_type="COBISSID">288443648</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-I2Y618AI</identifier><language>eng</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Ars et humanitas</source><rights>InC</rights><subject language_type_id="eng">art history</subject><subject language_type_id="slv">likovna umetnost</subject><subject language_type_id="eng">meaning</subject><subject language_type_id="slv">modernizem</subject><subject language_type_id="slv">pomen</subject><subject language_type_id="slv">slogovna klasifikacija</subject><subject language_type_id="slv">umetnostna zgodovina</subject><subject language_type_id="eng">visual arts</subject><title>How style became famous and irrelevant at the same time</title></Record>