<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-HTCI4B3Z</identifier><date>2022</date><creator>Pompe Berlot, Uršula</creator><relation>documents/doc/H/URN_NBN_SI_doc-HTCI4B3Z_001.pdf</relation><relation>documents/doc/H/URN_NBN_SI_doc-HTCI4B3Z_001.txt</relation><format format_type="issue">285</format><format format_type="volume">50</format><format format_type="type">article</format><format format_type="extent">str. 13-31</format><identifier identifier_type="ISSN">0351-4285</identifier><identifier identifier_type="COBISSID">165229315</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-HTCI4B3Z</identifier><language>slv</language><publisher publisher_location="Ljubljana">Študentska organizacija Univerze v Ljubljani</publisher><source>Časopis za kritiko znanosti</source><rights>BY-NC-ND</rights><subject language_type_id="slv">digitalizacija</subject><subject language_type_id="slv">digitalna tehnologija</subject><subject language_type_id="slv">doživljanje</subject><subject language_type_id="slv">elektronski mediji</subject><subject language_type_id="slv">informacijska tehnologija</subject><subject language_type_id="slv">kulturna produkcija</subject><subject language_type_id="slv">nevroestetika</subject><subject language_type_id="slv">postdigitalno</subject><subject language_type_id="slv">umetnost</subject><subject language_type_id="slv">vsakdanje življenje</subject><title>Interakcija z digitalnimi mediji</title><title>(umetnost v času pandemije)</title></Record>