<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-HOA4EPQX</identifier><date>2021</date><creator>Majsova, Natalija</creator><relation>documents/doc/H/URN_NBN_SI_doc-HOA4EPQX_001.pdf</relation><relation>documents/doc/H/URN_NBN_SI_doc-HOA4EPQX_001.txt</relation><format format_type="issue">284</format><format format_type="volume">49</format><format format_type="type">article</format><format format_type="extent">str. 243-250</format><identifier identifier_type="ISSN">0351-4285</identifier><identifier identifier_type="COBISSID">105814019</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-HOA4EPQX</identifier><language>slv</language><publisher publisher_location="Ljubljana">Študentska organizacija Univerze v Ljubljani</publisher><source>Časopis za kritiko znanosti</source><rights>BY-NC-ND</rights><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">Narodnozabavna glasba</subject><subject language_type_id="slv">ocene in poročila</subject><subject language_type_id="slv">Posvetovanja</subject><title>Alpenecho2</title><title>poročilo z mednarodnega simpozija "Glasni spomini, turbo ljudje: kartiranje zvokov, podob in spominjanja v postjugoslovanskem prostoru"</title></Record>