62 KB305 KB61 KB197820252010Vrečko, Janezštevilka:1letnik:33str. 1-22ISSN:0351-1189COBISSID:42786402URN:URN:NBN:SI:doc-HNVBZYYJslSlovensko društvo za primerjalno književnostPrimerjalna književnostconstructivismČernigoj, Avgust, 1898-1985književnostkonstruktivizemKosovel, Srečko, 1904-1926likovna umetnostlikovne razstaveliterarna avantgardaliteratureslovenska poezijaslovenska umetnostTrstvisual artsFormiranje Kosovelovega konstruktivizma| spopad med kompozicijo in konstrukcijo|This paper analyzes the dispute between Kosovel and Černigoj, which developed from the disagreement between Kandinsky and the constructivists at INHUK, which was then transferred to the dispute between Kandinsky and Moholy-Nagy at the Bauhaus school, and from here to Kosovel, following Černigoj's arrival in Ljubljana. The concepts of composition and construction are used to elucidate Černigoj's Ljubljana exhibit and the Trieste Constructivist Ambient, which Kosovel conceptually outlined in his poem "Kalejdoskop" (The Kaleidoscope) as early as 1924 and 1925 and formulated with the syntagm "metaphysical materialism". The dispute between suprematism and constructivism, which had already been resolved by Lissitzky, also experienced a resolution in Trieste in 1927 through Stepančič's mobiles and Malevich's White Square hung beneath the ceiling of the Ambient. This represented contact with the roots of constructivism, which Kosovel had achieved with his conses "x, y, z" and so on as early as 1924 and 1925. In this sense, the Trieste Constructivist Ambient also paid homage to Kosovel, a deceased poet and theoretician, because through his conses he achieved in literature what Černigoj could not in the fine artsRazprava analizira spor Kosovel - Černigoj, ki je izšel iz nesporazumov med Kandinskim in konstruktivisti na INHUK-u, se prenesel na spor med Kandinskim in Moholy-Nagyem na Bauhausu, od tu pa s Černigojevim prihodom v Ljubljano tudi na Kosovela. S pojmoma kompozicija in konstrukcija osvetljujemo Černigojevo ljubljansko razstavo in tržaški konstruktivistični ambient, ki ga je Kosovel že leta 1924-1925 konceptualno zasnoval v pesmi Kalejdoskop in formuliral s sintagmo: "metafizični materializem". Spor med suprematizmom in konstruktivizmom, ki ga je razreševal že Lisicki, je doživel razrešitev tudi v Trstu leta 1927 s Stepančičevimi mobili in z Malevičevim Belim kvadratom, obešenim pod strop ambienta. To je pomenilo stik z izvori konstruktivizma, kar je Kosovel s svojimi konsi "x, y, z" itd. dosegel že leta 1924-1925. V tem duhu je bil tržaški konstruktivistični ambient tudi hommage umrlemu pesniku in teoretiku Kosovelu, saj je ta na področju literature s konsi dosegel to, česar Černigoju ni uspelo na likovnem področjuTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlovensko društvo za primerjalno književnost